{"id":298641,"date":"2026-06-09T20:39:46","date_gmt":"2026-06-09T11:39:46","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=298641"},"modified":"2026-06-09T20:39:46","modified_gmt":"2026-06-09T11:40:23","slug":"art-gallery-museum-information-recommended-exhibitions-in-june-2026","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/art-gallery-museum-information-recommended-exhibitions-in-june-2026\/","title":{"rendered":"Art Gallery \/ Museum Information | Recommended Exhibitions in June 2026"},"content":{"rendered":"

Recommended Art Gallery and Museum Exhibitions Across Japan in June 2026<\/h3>\r\n

N<\/span>PO Aoyama Design Forum presents the recommended exhibitions of art galleries and museums in June 2026. In addition to the schedule of events, we will provide you with detailed information such as the works on display. Please check the website of each museum for current opening hours before visiting.
\r\n\"adf-gaudi-windows-windows-on-the-future.\"<\/a><\/p>\r\n

21_21 DESIGN SIGHT \u201cGaud\u00ed: Windows on the Future\u201d<\/h4>\r\n

The exhibition \"Gaud\u00ed: Windows Opening to the Future\" explores the creative world of architect Antoni Gaud\u00ed. Guided by his unique architectural philosophy and his interest in art and technology, Gaud\u00ed designed a wide variety of windows. The exhibition presents research findings, models, and selected collaborative studies collected over many years by window manufacturer YKK AP. While inheriting the concept of the exhibition previously held at the World Heritage site Palau G\u00fcell in Barcelona, it is reimagined through a display unique to 21_21 DESIGN SIGHT. Visitors can experience Gaud\u00ed\u2019s ideas and the appeal of innovative windows through the lens of his pursuit of \u201cintegration\u201d and \u201charmony\u201d in architecture.<\/p>\r\n

Dates: May 16 (Sat) \u2013 July 12 (Sun), 2026
\r\nVenue: Gallery 3, 21_21 DESIGN SIGHT
\r\nHours: 10:00\u201319:00
\r\nClosed: May 26 and June 23, 2026
\r\nAdmission: Free
\r\nURL\uff1ahttps:\/\/tinyurl.com\/4emws36s<\/a><\/p>\r\n

The National Museum of Modern Art, Tokyo Collection Exhibition \u201cMOMAT Collection\u201d<\/h4>\r\n\r\n
\"adf-the-national-museum-of-modern-art-tokyo-momat-collection\"<\/a>

\u842c\u9244\u4e94\u90ce\u300a\u88f8\u4f53\u7f8e\u4eba\u300b1912\u5e74\u3001\u91cd\u8981\u6587\u5316\u8ca1<\/p><\/div>\r\n\r\n

The National Museum of Modern Art, Tokyo presents \u201cMOMAT Collection,\u201d an exhibition drawn from its extensive holdings. This edition introduces the \u201cSugimoto Note,\u201d shown publicly for the first time in connection with the special exhibition Hiroshi Sugimoto: Lost Human Genetic Archive. Newly acquired works by On Kawara, Urushibara Hideko, Maemoto Shoko, and Yokomizo Shizuka will also be on view. A special feature highlights Hasegawa Saburo on the 120th anniversary of his birth, focusing not only on his artistic achievements but also on his role as a curator. The exhibition\u2019s \u201cmasterpieces\u201d section includes masterpieces such as Tsuguharu Foujita\u2019s Five Nude Women alongside works by C\u00e9zanne, Bonnard, Klee, and Yoshitomo Nara. With major rotations throughout the exhibition period, MOMAT Collection offers a rich and diverse exploration of modern and contemporary art.<\/p>\r\n

Dates: May 26 (Tue) \u2013 September 13 (Sun), 2026
\r\nVenue: Gallery of the MOMAT Collection, Floors 2\u20134, The National Museum of Modern Art, Tokyo
\r\nHours: 10:00\u201317:00 (Fridays and Saturdays until 20:00; admission until 30 minutes before closing)
\r\nClosed: Mondays (except July 20), and July 21, 2026
\r\nURL\uff1ahttps:\/\/www.momat.go.jp<\/a><\/p>\r\n

Towada Art Center Special Exhibition \u201cTsubaki Noboru: FREEDOM\u2013Living with \u2018the Elephant in the Room\u2019\u201d<\/h4>\r\n\r\n
\"adf-towada-art-center-tsubaki-noboru-freedom\"<\/a>

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Towada Art Center presents a major solo exhibition by contemporary artist Tsubaki Noboru, whose work has long explored the contradictions of contemporary society through monumental representations of living creatures. Centered on a newly created elephant\u2014the largest land mammal on Earth\u2014the exhibition examines the habits, assumptions, and behaviors that people often choose to overlook in everyday life. A giant inflatable installation, the Elephant in the Room, will occupy the museum galleries, while a special presentation tracing the history of ATTA unfolds throughout the city of Towada. Through these works, the exhibition invites visitors to consider what it truly means to be free in today\u2019s society.<\/p>\r\n

Dates: June 6 (Sat) \u2013 November 8 (Sun), 2026
\r\nVenue: Towada Art Center
\r\nHours: 9:00\u201317:00 (last admission 30 minutes before closing)
\r\nClosed: Mondays (or the following day when Monday is a national holiday); open on August 3 and August 10
\r\nAdmission: Adults 1,800 (includes collection exhibition), Groups of 20 or more 1,600, Free for high school students and younger
\r\nURL\uff1ahttps:\/\/towadaartcenter.com<\/a><\/p>\r\n

POLA Museum Annex Exhibition \u201cWorlding \u2013 No Oars, No Shore,\u201d<\/h4>\r\n

\"adf-pola-museum-annex-worlding-no-oars-no-shore\"<\/a>POLA Museum Annex presents Worlding \u2013 No Oars, No Shore, a group exhibition featuring Akiko Ueda, Gentaro Ishizuka, and Keita Morimoto. Taking the question \u201cHow does the world come into being?\u201d as its point of departure, the exhibition explores three distinct artistic approaches to perception and reality. Ueda depicts images that emerge and dissolve through shifts in color and form. Ishizuka expands photographic expression through experiments with light and materials, creating layered experiences of time and space. Morimoto draws upon classical painting traditions while portraying contemporary urban scenes, using light as a means of connecting present realities with historical depth. By encountering these three perspectives together, visitors are invited to discover new relationships and ways of seeing the world.<\/p>\r\n

Dates: June 12 (Fri) \u2013 July 5 (Sun), 2026
\r\nVenue: POLA Museum Annex (POLA Ginza Building 3F, 1-7-7 Ginza, Chuo-ku, Tokyo)
\r\nHours: 11:00\u201319:00 (last admission 18:30)
\r\nClosed: Open daily throughout the exhibition period
\r\nAdmission: Free
\r\nURL\uff1ahttp:\/\/www.po-holdings.co.jp\/m-annex\/<\/a><\/p>\r\n

POLA Museum 25th Anniversary Program \u201cCOLLECTION CINEMA I\u201d<\/h4>\r\n\r\n
\"adf-pola-museum-25th-anniversary-collection-cinema\"<\/a>

\u30af\u30ea\u30b9\u30c1\u30e3\u30f3\u30fb\u30de\u30fc\u30af\u30ec\u30fc\u300a\u30c9\u30a2\u300b2022\u5e74 \u00a9 Christian Marclay<\/p><\/div>\r\n\r\n

To celebrate its 25th anniversary, POLA Museum presents COLLECTION CINEMA I, showcasing two outstanding video works from its recent acquisitions in separate phases. The first presentation features The Doors by Christian Marclay, exhibited for the first time at the museum. Created from scenes of doors taken from films across different eras and cultures, the work unfolds as a labyrinthine cinematic experience. The second presentation introduces Gerhard Richter\u2019s Moving Picture (946-3) Kyoto Version, an immersive video installation derived from one of the artist\u2019s abstract paintings. Visitors can enjoy these remarkable works alongside the concurrent special exhibition New Eyes: Monet and Art in the 21st Century.<\/p>\r\n

Dates: June 17, 2026 (Wed) \u2013 April 7, 2027 (Wed)
\r\nVenue: Exhibition Room 3, POLA Museum of Art
\r\nHours: 9:00\u201317:00 (last admission 16:30)
\r\nClosed: December 1, 2026 \/ December 2\u20133, 2026 (closed for exhibition changeover; COLLECTION CINEMA only)
\r\nAdmission: Adults 2,200 \/ University & High School Students 1,700 \/ Free for Junior High School Students and Younger
\r\nURL\uff1ahttps:\/\/tinyurl.com\/k9vxcrhh<\/a><\/p>\r\n

The Museum of Modern Art, Kamakura & Hayama, Kamakura Annex \u201cYamamuro Shinji\u2019s Potato Prints: Histoires Naturelles in Kamakura\u201d \/ From the Museum Collection: In Everyday Life<\/h4>\r\n\r\n
\"adf-the-museum-of-modern-art-kamakura-annex-shinji-yamamuro-potato-prints.j\"<\/a>

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For more than fifty years, Yamamuro Shinji (born 1939) has developed a unique printmaking practice using potatoes as printing blocks. Created through a meticulous process in which the fragile blocks can only be used for a few hours, his works capture plants, insects, birds, and other subjects encountered in and around Kamakura. This exhibition presents a broad survey of Yamamuro\u2019s potato prints, together with books for which he provided cover designs. Also on view is his new series Words of Shimura Fukumi: Hyakuy\u014dbako (100 works), offering visitors an opportunity to experience the remarkable range of expression that emerges from such a humble medium.<\/p>\r\n

Dates: May 30 (Sat) \u2013 September 27 (Sun), 2026
\r\nVenue: Kamakura Annex, The Museum of Modern Art, Kamakura & Hayama
\r\nHours: 9:30\u201317:00 (last admission 16:30)
\r\nClosed: Mondays (except July 20 and September 21)
\r\nAdmission: Adults 700 \/ Under 20 & Students 550 \/ Ages 65 and over 350 \/ High School Students 100
\r\nURL\uff1ahttps:\/\/tinyurl.com\/2k85exha<\/a><\/p>\r\n


\r\nThe Museum of Modern Art, Kamakura & Hayama Exhibition \u201cUnprecedented: Women Photographers from the GDR\u201d<\/h4>\r\n\r\n
\"adf-the-museum-of-modern-art-hayama-unprecedented-light-women-photographers-of-east-germany\"<\/a>

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Following the Second World War, Germany was divided into East and West. Although many women in the German Democratic Republic (GDR) established successful careers as photographers and produced outstanding artistic work, their contributions remained largely overlooked in the history of German photography until recent years. Drawing primarily from the collection of Sven Herrmann, this exhibition introduces the work of fifteen women photographers from East Germany. Through their images of everyday life and society, the exhibition explores both the role of photography and the distinctive perspectives these artists brought to documenting a country that no longer exists.<\/p>\r\n

Dates: June 13 (Sat) \u2013 August 30 (Sun), 2026
\r\nVenue: The Museum of Modern Art, Kamakura & Hayama, Hayama
\r\nHours: 9:30\u201317:00 (last admission 16:30)
\r\nClosed: Mondays (except July 20)
\r\nAdmission: Adults 1,200 \/ Other admission categories available
\r\nURL\uff1ahttps:\/\/www.moma.pref.kanagawa.jp\/<\/a><\/p>\r\n

Tokyo Photographic Art Museum Exhibition \u201cIdemitsu Mako: What a Woman Made\u201d<\/h4>\r\n\r\n
\"adf-kyoto-photography-museum-mako-idemitsu-autobiography-of-a-video-artist\"<\/a>

\u300aStill Life\u300b1993\u20132000\u5e74 \u30df\u30af\u30b9\u30c8\u30e1\u30c7\u30a3\u30a2 \u6771\u4eac\u90fd\u5199\u771f\u7f8e\u8853\u9928\u8535 \u00a9Mako Idemitsu<\/p><\/div>\r\n\r\n

Idemitsu Mako (born 1940) is a pioneering figure in Japanese experimental film and video art. After spending time in the United States during the 1960s, she began creating works that explored themes such as women\u2019s lives, family relationships, and the complex interactions between media and society. Her video works, particularly those produced from the 1970s onward, incorporated the visual language of television melodrama while offering distinctive perspectives on motherhood, marriage, and the social roles assigned to women. In recent years, her practice has attracted renewed international attention amid growing discussions surrounding gender and the body. Tokyo Photographic Art Museum acquired Idemitsu\u2019s complete body of film and video works, along with major installation pieces, between 2016 and 2017. This large-scale retrospective presents a comprehensive overview of her career and includes works being shown publicly for the first time since entering the museum\u2019s collection.<\/p>\r\n

Dates: June 18 (Thu) \u2013 September 21 (Mon, Holiday), 2026
\r\nVenue: Tokyo Photographic Art Museum
\r\nHours: 10:00\u201318:00 (Thursdays and Fridays until 20:00)
\r\nAdmission until 30 minutes before closing.
\r\nFrom August 6\u201328, Thursdays and Fridays remain open until 21:00.
\r\nClosed: Mondays (when Monday is a national holiday, the museum remains open and closes the following weekday)
\r\nAdmission: Adults 700 \/ Students 560 \/ High School Students & Visitors Aged 65 and Over 350
\r\nURL\uff1ahttps:\/\/topmuseum.jp<\/a><\/p>\r\n

Museum of Contemporary Art Tokyo Exhibition \u201cMOT Collection: Art for Starters\u201d<\/h4>\r\n

\"adf-mot-collection-art-for-starters.\"<\/a>The MOT Collection showcases approximately 6,100 works centered on postwar and contemporary art. Titled Art for Starters, this exhibition explores a variety of \u201cfirsts\u201d that shape our encounters with art, incorporating newly acquired works alongside collection highlights. Through themes such as \u201cStarting from What Surrounds Us,\u201d \u201cWhat Does It Mean to See Something for the First Time?\u201d and \u201cWhere Do Artworks Come From?\u201d, the exhibition offers visitors approachable entry points into the world of art. Whether visiting for the first time or returning as a regular museum-goer, audiences are invited to discover new ways of beginning their own journey with art.<\/p>\r\n

Dates: April 28 (Tue) \u2013 August 16 (Sun), 2026
\r\nVenue: MOT Collection Galleries, Museum of Contemporary Art Tokyo
\r\nHours: 10:00\u201318:00 (last admission 30 minutes before closing)
\r\nOpen until 21:00 on August 7 and August 14.
\r\nClosed: Mondays (except May 4 and July 20), May 7, and July 21
\r\nAdmission: Adults 500 \/ University & Vocational School Students 400 \/ High School Students & Visitors Aged 65 and Over 250 \/ Free for Junior High School Students and Younger
\r\nURL\uff1ahttps:\/\/tinyurl.com\/2ws84xcf<\/a><\/p>\r\n

Fukuda Art Museum Exhibition \u201cJakuch\u016b: Prancing Feathers and Swelling Gourds\u201d<\/h4>\r\n

\"adf-fukuda-art-museum-jakuchu-prancing-feathers-and-swelling-gourds.\"<\/a>Since opening in 2019, Fukuda Art Museum has built a distinguished collection spanning from the Edo period to the present day. This exhibition brings together two of Ito Jakuch\u016b\u2019s most celebrated masterpieces: Scroll of Fruits and Vegetables, whose existence was confirmed in 2023, and the Important Cultural Property Vegetables and Insects, displayed side by side for the first time following conservation treatment. The exhibition also features approximately forty works by Jakuch\u016b, including newly discovered pieces and important recent acquisitions, tracing the artist\u2019s development from his earliest years through his mature period. In addition, visitors can enjoy outstanding works by Kyoto painters active during Jakuch\u016b\u2019s lifetime, including Yosa Buson, Maruyama \u014ckyo, and Nagasawa Rosetsu, as well as newly acquired masterpieces from the Fukuda Collection. Together, these works offer a multifaceted view of Jakuch\u016b\u2019s remarkable artistic world.<\/p>\r\n

Dates: April 25 (Sat) \u2013 July 5 (Sun), 2026
\r\nVenue: Fukuda Art Museum
\r\nHours: 10:00\u201317:00 (last admission 16:30)
\r\nClosed: May 12, June 2, and June 16, 2026
\r\nAdmission: Adults 1,500 \/ High School Students 900 \/ Elementary & Junior High School Students 500 \/ Other categories available
\r\nURL\uff1ahttps:\/\/www.fukuda-art-museum.jp<\/a><\/p>\r\n

Mori Art Museum Exhibition \u201cRon Mueck\u201d<\/h4>\r\n\r\n
\"adf-mori-art-museum-ron-mueck-and-mariko-mori.\"<\/a>

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Renowned for his hyperrealistic sculptures of the human body, Australian-born sculptor Ron Mueck explores fundamental questions about what it means to be human. Through works that range from miniature figures to monumental installations, Mueck captures universal emotions such as loneliness, anxiety, vulnerability, and the fear of aging with extraordinary precision and psychological depth. His sculptures invite viewers to confront the complexities of the human condition while experiencing familiar emotions on an unexpected scale.\u00a0Featuring major works and large-scale installations, this landmark exhibition offers a rare opportunity to encounter one of the most influential sculptors working today.<\/p>\r\n

Dates: April 29 (Wed, Holiday) \u2013 September 23 (Wed, Holiday), 2026
\r\nVenue: Mori Art Museum
\r\nOrganized by: Mori Art Museum and Fondation Cartier pour l\u2019art contemporain
\r\nURL\uff1ahttps:\/\/tinyurl.com\/yse65r7x<\/p>\r\n

rin art association Special Exhibition \u201cTsuyoshi Higashijima: Sora ni Iku - Painting Paradiso\u201d<\/h4>\r\n

\"adf-higashijima-rin-art-1\"<\/a>A solo exhibition by Tsuyoshi Higashijima, titled \u201cSora ni Iku - Painting Paradiso,\u201d will be held from June 7 to August 9, 2026. Known for creating paintings under the theme of \u201cthe virtue of ambiguity,\u201d Higashijima\u2019s works emerge from the relationship between body and space, capturing fleeting atmospheres and the memories embedded within places and moments. Utilizing the gallery\u2019s three-story structure, the exhibition presents a vertical journey that guides visitors toward the sky. Monumental works born from the struggle between gravity and the body appear on the first floor, while luminous colors and a symbolic thread unfold on the second. On the third floor, paintings liberated from gravity are displayed in natural light. As visitors ascend, the works transition from earth to sky, offering an experience in which paintings evolve from representations into states of presence.
\r\n
\r\n<\/p>\r\n

Exhibition Period: June 7 \u2013 August 9, 2026
\r\nVenue: rin art association
\r\nOpening Hours: 11:00\u201319:00
\r\nURL\uff1ahttps:\/\/rinartassociation.com\/<\/a><\/p>\r\n

Artizon Museum Exhibitions \u201cEttore Sottsass: The Magic Begins\u201d and \u201cShuzo Takiguchi: Writing and Drawing\u201d<\/h4>\r\n\r\n
\"adf-artizon-museum-sp-tickets-1\"<\/a>

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Artizon Museum presents two major exhibitions that explore creativity across design, literature, and visual art. Ettore Sottsass: The Magic Begins is the first large-scale retrospective in Japan devoted to the internationally celebrated Italian designer Ettore Sottsass. Drawing on more than one hundred works from the Ishibashi Foundation Collection, the exhibition traces the development of his groundbreaking approach to design and its lasting influence on contemporary culture. Running concurrently, Shuzo Takiguchi: Writing and Drawing examines the multifaceted career of poet, art critic, and cultural figure Shuzo Takiguchi. Featuring approximately 120 works, including many being shown publicly for the first time, the exhibition revisits Takiguchi\u2019s achievements across poetry, criticism, and visual expression. Together, these exhibitions offer a rich perspective on two visionary figures whose work transcended conventional boundaries.<\/p>\r\n

Dates: June 23 (Tue) \u2013 October 4 (Sun), 2026
\r\nVenue: Artizon Museum, 6th Floor Galleries and 5th\u20134th Floor Galleries
\r\nHours: 10:00\u201318:00 (Fridays until 20:00)
\r\nURL\uff1ahttps:\/\/tinyurl.com\/yy6xexp4<\/a><\/p>\r\n

AWASE gallery Special Exhibition \u201cAWASE gallery 1st Anniversary\u201d<\/h4>\r\n

\"adf-awase-1st-anniversary-1\"<\/a>Celebrating its first anniversary in June 2026, AWASE gallery presents the group exhibition \u201cAWASE gallery 1st Anniversary,\u201d featuring artists who have contributed to the gallery\u2019s journey since its opening. The exhibition expands across two venues\u2014AWASE gallery and the project space On\u2014each offering a distinct atmosphere and curatorial approach. Participating artists include Lee Eunu, Yuriko Iyanaga, Yoshiyuki Umehara, Momoka Ota, Haruto Kamijo, Yuko Nagayama, Ayano Nishida, Kohei Yamada, and others. Looking back on the gallery\u2019s development while introducing new artistic encounters, the exhibition provides visitors with an opportunity to explore a wide range of contemporary expressions. As a milestone event, it celebrates both past achievements and future possibilities.<\/p>\r\n

Exhibition Period: June 6 \u2013 June 21, 2026
\r\nVenue: AWASE gallery
\r\nOpening Hours: 12:00\u201319:00
\r\nURL\uff1ahttps:\/\/tinyurl.com\/48cfunbv<\/a><\/p>\r\n

HERALBONY LABORATORY GINZA Gallery Exhibition \u201cMebuki (Budding)\u201d<\/h4>\r\n\r\n
\"adf-mebuki-budding-1\"<\/a>

\u300a\u30e1\u30d6\u30ad\u300b2026 \u753b\u6750\uff5c\u30dd\u30b9\u30ab\u3001\u7c73\u888b<\/p><\/div>\r\n\r\n

The exhibition \u201cMebuki (Budding),\u201d a solo exhibition by Haruka Asano, the first Grand Prize winner of the HERALBONY Art Prize 2024, will be presented. Held as a traveling exhibition following her previous solo exhibition \u201cHyoka Evaluation,\u201d the exhibition focuses on Mebuki, a new body of work that emerged beyond her award-winning piece. Making use of traces left in the material itself, such as wrinkles and tears in rice bags, Asano creates a unique world through meticulous drawings. Through a series of works exploring themes of life and illness, the exhibition offers an opportunity to experience the current stage of her creative practice as it continues to expand and unfold like budding growth. A live painting performance is also scheduled for the opening day of the exhibition.<\/p>\r\n

Dates: June 13 \u2013 August 10, 2026
\r\nVenue: HERALBONY LABORATORY GINZA Gallery
\r\nURL\uff1ahttps:\/\/artprize.heralbony.jp\/<\/a><\/p><\/article>","protected":false},"excerpt":{"rendered":"

Recommended Art Gallery and Museum Exhibitions Across Japan in June 2026 PO Aoyama Design Forum presents the r […]<\/p>\n","protected":false},"author":1,"featured_media":298588,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"\u30a2\u30fc\u30c8\u30ae\u30e3\u30e9\u30ea\u30fc\u30fb\u7f8e\u8853\u9928\u60c5\u5831 \u2013 2026\u5e746\u6708\u304a\u3059\u3059\u3081\u5c55\u89a7\u4f1a \/ Art Gallery \/ Museum Information | Recommended Exhibitions in June 2026","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[6,7],"tags":[43,54,55,57,68,83,84,85,115,121,190,302],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2026\/06\/adf-gaudi-windows-windows-on-the-future..jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/298641"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=298641"}],"version-history":[{"count":2,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/298641\/revisions"}],"predecessor-version":[{"id":298645,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/298641\/revisions\/298645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/298588"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=298641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=298641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=298641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}