{"id":290744,"date":"2026-01-23T10:37:26","date_gmt":"2026-01-23T01:37:26","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=290744"},"modified":"2026-01-23T10:37:26","modified_gmt":"2026-02-06T00:51:07","slug":"adf-art-gallery-project-vol-37-isana-shinomiya-solo-exhibition-things-that-will-one-day-be-scorched-and-shine","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/adf-art-gallery-project-vol-37-isana-shinomiya-solo-exhibition-things-that-will-one-day-be-scorched-and-shine\/","title":{"rendered":"ADF Art Gallery Project Vol.37 | Isana Shinomiya Solo Exhibition “Things That Will One Day Be Scorched and Shine”"},"content":{"rendered":"

Woving Narratives through \"Photography and Words\"<\/h3>\r\n

A<\/span>DF<\/a> (NPO Aoyama Design Forum) is pleased to present \"Things That Will One Day Be Scorched and Shine,\" the 37th exhibition of the \"ADF Art Gallery Project<\/a>\" by artist Isana Shinomiya, from 7 to 21 February 2026 at GARDE Gallery<\/a> at Omotesando, Tokyo. We shall also be holding an opening party on Friday, 6th February from 6:30 pm to 9:00 pm, so please do join us.<\/p>\r\n

\"adf-web-magazine-key-shinomiya\"<\/a><\/p>\r\n

https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2026\/01\/adf-web-magazine-artpj-37-shinomiya-1.mp4<\/a><\/video><\/div>\r\n

Photography and film can convey emotion more intuitively than words. Things That Will One Day Be Scorched and Shine was created with the aim of forming an exhibition space that speaks \u201cin ways other than voice,\u201d much like a deaf girl, using music rather than dialogue. The exhibition consists of a roughly 50-minute film, a 140-page photobook, and panels that combine these elements. Shinomiya, who has long woven narratives through \u201cphotography and words,\u201d memories floating in light and shadow, and figures who, while carrying their wounds, still try to face forward.<\/p>\r\n

\"adf-web-magazine-artpj-37-shinomiya-3\"<\/a><\/p>\r\n

\"adf-web-magazine-artpj-37-shinomiya-2\"<\/a><\/h4>\r\n

\"adf-web-magazine-artpj-37-shinomiya-4\"<\/a><\/p>\r\n

\"adf-web-magazine-artpj-37-shinomiya-5\"<\/a><\/p>\r\n

\"adf-web-magazine-artpj-37-shinomiya-6\"<\/a><\/h4>\r\n

Artist Statement<\/h4>\r\n
\r\n

In 2022, I chose to take a sign language class as part of my general education at university. Among my friends was a senior who was deaf, and I began to feel that I wanted to communicate more deeply.<\/p>\r\n

Around that time, I started to want to create a story with a deaf girl as its protagonist, and I had opportunities to listen to the experiences of people directly involved.<\/p>\r\n

While it is different from being unable to hear, I myself live with an illness. I often feel that my own world is cut off from the outside world, that my thoughts do not come across well, and there are many moments when I end up giving up on communication.<\/p>\r\n

The friends who reached out to me in those moments helped dismantle those barriers in many different ways. Their presence is reflected in the male character in this work.<\/p>\r\n

In my previous works, I have often focused on the scars of the heart. In this new work, I wanted to go one step further and portray the act of cherishing those scars.<\/p>\r\n

And if there is someone who, for whatever reason, cannot step out into the world, I came to want to create a story that might gently help them take that first step.<\/p>\r\n

Isana Shinomiya<\/p>\r\n<\/blockquote>\r\n

Isana Shinomiya<\/h4>\r\n

Photographer. Born and raised in Yokohama, Kanagawa Prefecture. Graduated from the Photography Seminar, Department of Art, Faculty of Expression, Wako University. In 2017, she began taking photographs out of a desire to preserve her own sensibility as it changed with growth. From 2020, she started working seriously under the name Isana Shinomiya. Drawn to young girls who emit a sharp brilliance despite their incompleteness, she develops her practice around the theme of girlhood. In 2025, with the scars of the heart as her central concept, she directed her first film work.<\/p>\r\n

ADF Art Gallery Project Vol.37 \"Things That Will One Day Be Scorched and Shine\"<\/span><\/h3><\/div>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
Period<\/td>\r\nFebruary 7\u301c21, 2026<\/td>\r\n<\/tr>\r\n
Time<\/td>\r\nWeekdays 13:00\u301c20:00, Saturdays and public holidays 11:00\u301c20:00<\/td>\r\n<\/tr>\r\n
Opening Reception<\/td>\r\nFebruary 6, 2026 18:30\u301c21:00\u00a0<\/td>\r\n<\/tr>\r\n
Venue<\/td>\r\nGARDE Gallery<\/a><\/td>\r\n<\/tr>\r\n
Closed<\/td>\r\nSundays<\/td>\r\n<\/tr>\r\n
URL<\/td>\r\nhttps:\/\/www.art-adf.jp\/?sl=en<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table><\/article>","protected":false},"excerpt":{"rendered":"

Woving Narratives through “Photography and Words” DF (NPO Aoyama Design Forum) is pleased to present “Things T […]<\/p>\n","protected":false},"author":1,"featured_media":290949,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"ADF Art Gallery Project Vol.37 | Isana Shinomiya Solo Exhibition \"Things That Will One Day Be Scorched and Shine\" #adf #npoadf #ADF\u30a2\u30fc\u30c8\u30ae\u30e3\u30e9\u30ea\u30fc\u30d7\u30ed\u30b8\u30a7\u30af\u30c8 #\u56db\u30ce\u5bae\u52c7\u9b5a #\u3084\u304c\u3066\u707c\u304b\u308c\u3066\u5149\u308b\u3082\u306e #GARDEGallery","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[6,10],"tags":[32,55,68,83,84,85,121],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2026\/01\/adf-web-magazine-key-shinomiya.jpeg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/290744"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=290744"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/290744\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/290949"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=290744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=290744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=290744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}