{"id":290574,"date":"2026-01-21T10:55:18","date_gmt":"2026-01-21T01:55:18","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=290574"},"modified":"2026-01-21T10:58:33","modified_gmt":"2026-01-21T01:58:33","slug":"koichi-takada-architects-launched-a-book-naturalizing-architecture","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/architect\/koichi-takada-architects-launched-a-book-naturalizing-architecture\/","title":{"rendered":"Koichi Takada Architects launched a book ‘Naturalizing Architecture’ summarizing the studio’s 10-year history"},"content":{"rendered":"

A Decade of Work redefining How Nature can Shape the Future of Urban Architecture<\/h3>\r\n

J<\/span>apanese-Australian architect Koichi Takada has released Naturalizing Architecture<\/a>, a new monograph published by Rizzoli New York that charts the evolution of his studio\u2019s work over the past decade. The book examines Takada\u2019s ongoing mission to reintegrate nature into urban environments through architecture that prioritizes wellbeing, sustainability, and emotional connection.<\/p>\r\n\r\n

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Naturalizing Architecture
\r\nPhoto credit: Urban Forest (Brisbane, Australia). CGI by Binyan<\/p><\/div>\r\n\r\n

Now nearing two decades as founder and principal of Koichi Takada Architects<\/a> in Sydney, Takada has gained international recognition for projects that merge organic forms, natural materials, and contemporary design. His buildings aim to recreate the restorative effects of nature within dense city contexts, responding to both ecological challenges and the growing sense of disconnection in modern urban life.<\/p>\r\n\r\n

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Timber Studio (Tokyo, Japan)
\r\nPhoto credit: Daici Ano<\/p><\/div>

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Urban Forest (Brisbane, Australia) designed for Aria Property Group.
\r\nPhoto credit: CGI by Binyan<\/p><\/div>

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Mamsha Palm (Saadiyat Island, Abu Dhabi, UAE)
\r\nPhoto credit: CGI by Bucharest<\/p><\/div>\r\n\r\n

The volume presents a curated selection of recent projects from across the globe, including Upper House in Brisbane, the Palm Frond Retreat at Balmoral Beach, the Solar Trees Marketplace in Shanghai, and Mamsha Palm in Abu Dhabi. Through photography, diagrams, and visual references to natural phenomena, the book reveals how each project is shaped by Takada\u2019s distinctive design philosophy.<\/p>\r\n\r\n

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Norfolk (Burleigh Heads, QLD Australia)
\r\nPhoto credit: Scott Burrows<\/p><\/div>

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Norfolk (Burleigh Heads, QLD Australia)
\r\nPhoto credit: Scott Burrows<\/p><\/div>

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Solar Trees Marketplace (Shanghai, China)
\r\nPhoto credit: Eiichi Kano<\/p><\/div>

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Solar Trees Marketplace interiors
\r\nPhoto credit: ZY Architecture Photography<\/p><\/div>\r\n\r\n

Takada\u2019s work is characterized by a balance between Japanese restraint and a willingness to challenge architectural conventions, inviting reflection on the role nature can play in contemporary cities. As he notes, architecture must move beyond pure utility to inspire, connect people, and restore balance between the built and natural worlds.<\/p>\r\n\r\n

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Sunflower House (Le Marche, Italy)
\r\nPhoto credit: CGI by Doug and Wolf<\/p><\/div>

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Upper House (Brisbane, Australia)
\r\nPhoto credit: Scott Burrows<\/p><\/div>

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Upper House (Brisbane, Australia) rooftop amenities shaded by a timber canopy.
\r\nPhoto credit: Scott Burrows<\/p><\/div>\r\n\r\n

Spanning 240 pages, Naturalizing Architecture includes text by architecture writer Philip Jodidio, a foreword by B\u00e9atrice Grenier of Fondation Cartier, and an afterword by Takada himself. The publication positions this latest body of work as a significant milestone, reinforcing Takada\u2019s status as one of the most original and influential voices in global architecture today.<\/p>\r\n

Koichi Takada<\/h4>\r\n\r\n
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Koichi Takada
\r\nPhoto credit: Nic Walker<\/p><\/div>\r\n\r\n

Koichi Takada\u00a0graduated from the Architectural Association School of Architecture, London, and established his own practice, Koichi Takada Architects, in Sydney, Australia in 2008. He belongs to a new generation of architects who strive to bring nature back into the urban environment \u2014 an approach he matured after living in Tokyo, New York, and London.<\/p>\r\n

Takada has brought a Japanese sensibility to Australian architecture, each project embodying his commitment to organic form and consideration for human experience. Through a series of award-winning designs, the growing practice is gaining an international reputation, with projects across Australia, Japan, China, the Middle East, Europe, and the USA.<\/p>\r\n

Takada\u2019s emphasis is on a connection to nature; on humanising and naturalising the urban environment. He has invested himself in forms of architecture that speak to local landscapes, heritage, and traditions. Takada accepts and encourages a sensitive connection to nature and elicits an emotional response from users. Koichi Takada clearly sees a new beginning in a post-Covid time, when naturalising architecture will be the way forward, empowering the next generation that follows.<\/p><\/article>","protected":false},"excerpt":{"rendered":"

A Decade of Work redefining How Nature can Shape the Future of Urban Architecture apanese-Australian architect […]<\/p>\n","protected":false},"author":1,"featured_media":290572,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"Koichi Takada Architects launched a book 'Naturalizing Architecture' summarizing the studio's 10-year history #adf #npoadf #KoichiTakada #KoichiTakadaArchitects #NaturalizingArchitecture","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[7,8],"tags":[4,38,49,83,95,96,110],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2026\/01\/adf-web-magazine-takada-naturalizing-architecture-1.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/290574"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=290574"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/290574\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/290572"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=290574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=290574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=290574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}