{"id":282641,"date":"2025-08-26T19:27:56","date_gmt":"2025-08-26T10:27:56","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=282641"},"modified":"2025-08-26T19:27:56","modified_gmt":"2025-08-30T02:38:03","slug":"adf-art-gallery-project-vol-35-myoji-namae-x-ayuko-takahashi-two-person-exhibition-unframing-the-bodies","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/adf-art-gallery-project-vol-35-myoji-namae-x-ayuko-takahashi-two-person-exhibition-unframing-the-bodies\/","title":{"rendered":"ADF Art Gallery Project Vol.35 Namae Myoji\u00d7 Ayuko Takahashi Two-Person Exhibition \u201cUnframing the bodies\u201d"},"content":{"rendered":"<article class=\"cb-itemprop\" itemprop=\"reviewBody\"><h3>An Exhibition Exploring the Value and Standards of Physical Beauty<\/h3>\r\n<p><a href=\"https:\/\/www.adf.or.jp\/\" title=\"&lt;span class=&quot;cb-dropcap-big&quot;&gt;A&lt;\/span&gt;DF\uff08NPO\u9752\u5c71\u30c7\u30b6\u30a4\u30f3\u30d5\u30a9\u30fc\u30e9\u30e0\uff09\"><span class=\"cb-dropcap-big\">A<\/span>DF(NPO Aoyama Design Forum) <\/a>\u00a0is pleased to present \u201cUnframing the bodies,\u201d the 35th exhibition of the \u201cADF Art Gallery Project,\u201d by artists Namae Myoji and Ayuko Takahashi, from Friday, September 5 to Saturday, September 20, 2025, at GARDE Gallery in Minami-Aoyama, Tokyo.<a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-500x663.jpg\" alt=\"adf-web-magazine-art-gallery- project-vol35-3\" width=\"500\" height=\"663\" class=\"aligncenter wp-image-282590 size-ADFwebimage500\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-500x663.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-226x300.jpg 226w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-772x1024.jpg 772w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-113x150.jpg 113w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-768x1019.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-1158x1536.jpg 1158w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-230x305.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-302x400.jpg 302w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-377x500.jpg 377w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-528x700.jpg 528w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-600x796.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3-750x995.jpg 750w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3.jpg 1400w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\r\n<p>Myoji presents three-dimensional works using dressing tables, suggesting that placing value on physical \u201cbeauty\u201d and \u201cattractiveness\u201d is an act that can lead to confidence and joy for those who seek it, while also being something imposed by the gaze of others and by social norms. Takahashi focuses on the act of treating the body as a material. In her paintings, which reconfigure artificial flowers in a patchwork-like manner, she highlights the fragmented nature of the body, adjusted by its individual parts. In another work, where she casts her own skin in silicone to form a bag-shaped object, she attempts to transform materials of differing value, expressing a critical gaze toward the current state of cosmetic medicine, which treats the body as a material.<\/p>\r\n<h4>Namae Myoji\u00a0<\/h4>\r\n<p>Based on her own experiences, she addresses issues surrounding the body, sexuality, identity, and consumption. In recent years, she has focused on the narrative potential of text in her work. Born in Hyogo Prefecture in 1987. 2019 Graduated from Tokyo University of the Arts, Faculty of Fine Arts.<\/p>\r\n<h5>Exhibition<\/h5>\r\n<ul>\r\n\t<li>2025 \u2013 \u201cIn the beginning, Womankind was the sun \u2013 Weren\u2019t we?\u201d (KOTARO NUKAGA Three)<\/li>\r\n\t<li>Solo Exhibition \u201cNot an Epilogue\u201d (spiral art gallery)<\/li>\r\n\t<li>2024 \u2013 Solo Exhibition \u201cI\u2019ll Give You a Name\u201d (N project)<\/li>\r\n\t<li>2023 \u2013 ATAMI ART GRANT 2023 (Atami, Shizuoka)<\/li>\r\n\t<li>Solo Exhibition \u201cBabel and Utopia,\u201d SICF23 Grand Prize (Spiral)<\/li>\r\n\t<li>2022 \u2013 CAF Award 2022 (Daikanyama Hillside Terrace)<\/li>\r\n<\/ul>\r\n\r\n<div id=\"attachment_282592\" style=\"width: 760px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1.jpg\"><img aria-describedby=\"caption-attachment-282592\" src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-750x500.jpg\" alt=\"adf-web-magazine-art-gallery- project-vol35-1\" width=\"750\" height=\"500\" class=\"size-ADFwebimage999 wp-image-282592\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-750x500.jpg 750w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-300x200.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-1024x682.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-150x100.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-768x512.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-230x153.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-600x400.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-1050x700.jpg 1050w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-500x333.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1-360x240.jpg 360w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-1.jpg 1400w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/a><p id=\"caption-attachment-282592\" class=\"wp-caption-text\">My\u014dji Namae, Alter Dominant, 2025<\/p><\/div>\r\n\r\n<h4>Ayuko Takahashi<\/h4>\r\n<p>Her practice focuses on lookism, exploring related themes such as physicality, gender, and interpersonal relationships. Based on interviews and personal experiences, she works across painting, installation, and writing. Born in 1994. 2018 Graduated from Tama Art University, Faculty of Fine Arts. 2021 Graduated from Tokyo University of the Arts, Graduate School of Fine Arts.<\/p>\r\n<h5>Exhibition<\/h5>\r\n<ul>\r\n\t<li>2023 \u2013 \u201cThe Fairest Fairs #2\u201d (TAV GALLERY)<\/li>\r\n\t<li>\u201cContraction and Removal\u201d (HIRO OKAMOTO GALLERY)<\/li>\r\n\t<li>2022 \u2013 Solo Exhibition \u201cKalavinka\u201d (TAV GALLERY)<\/li>\r\n\t<li>2021 \u2013 Solo Exhibition \u201cno exit\u201d (JINEN GALLERY)<\/li>\r\n<\/ul>\r\n\r\n<div id=\"attachment_282591\" style=\"width: 760px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2.jpeg\"><img aria-describedby=\"caption-attachment-282591\" src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-750x508.jpeg\" alt=\"takahadf-web-magazine-art-gallery- project-vol35-2\" width=\"750\" height=\"508\" class=\"size-ADFwebimage999 wp-image-282591\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-750x508.jpeg 750w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-300x203.jpeg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-1024x693.jpeg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-150x102.jpeg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-768x520.jpeg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-230x156.jpeg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-591x400.jpeg 591w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-738x500.jpeg 738w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-1034x700.jpeg 1034w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-500x339.jpeg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2-600x406.jpeg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/takahadf-web-magazine-art-gallery-project-vol35-2.jpeg 1400w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/a><p id=\"caption-attachment-282591\" class=\"wp-caption-text\">Takahashi Ayuko, plastic flowers, oil paint on canvas, 1303\u00d7894 mm, 2025<\/p><\/div>\r\n\r\n<div class=\"cb-divider clearfix\"><h3 class=\"noimg\"><span class=\"cb-title\">\u300cUnframing the bodies\u300dExhibition Information<\/span><\/h3><\/div>\r\n<table style=\"border-collapse: collapse; width: 100%;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 25%;\">Dates<\/td>\r\n<td style=\"width: 75%;\">September 5 (Fri) \u2013 September 20 (Sat), 2025<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">Time<\/td>\r\n<td style=\"width: 75%;\">11:00 a.m. \u2013 6:00 p.m.\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">Venue<\/td>\r\n<td style=\"width: 75%;\">GARDE Gallery <span>(NBF ALLIANCE Building 4F, 5-2-1 Minami Aoyama, Minato-ku, Tokyo)<\/span><\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">Closed<\/td>\r\n<td style=\"width: 75%;\"><span>Sun, National Holiday<\/span><\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">URL<\/td>\r\n<td style=\"width: 75%;\"><a href=\"https:\/\/tinyurl.com\/ypa44c3x\" title=\"https:\/\/tinyurl.com\/ypa44c3x\">https:\/\/tinyurl.com\/ypa44c3x<\/a> \/\u00a0<a href=\"https:\/\/tinyurl.com\/3zrryjy3\" title=\"https:\/\/tinyurl.com\/3zrryjy3\">https:\/\/tinyurl.com\/3zrryjy3<\/a><a href=\"https:\/\/tinyurl.com\/3zrryjy3\" title=\"https:\/\/tinyurl.com\/3zrryjy3\"><\/a><\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">EC URL<\/td>\r\n<td style=\"width: 75%;\"><a href=\"https:\/\/www.art-adf.jp\/\" title=\"https:\/\/www.art-adf.jp\/\">https:\/\/www.art-adf.jp\/<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table><\/article>","protected":false},"excerpt":{"rendered":"<p>An Exhibition Exploring the Value and Standards of Physical Beauty DF(NPO Aoyama Design Forum) \u00a0is pleased to  [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":282590,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"ADF\u30a2\u30fc\u30c8\u30ae\u30e3\u30e9\u30ea\u30fc\u30d7\u30ed\u30b8\u30a7\u30af\u30c8 Vol.35 |\u00a0\u307f\u3087\u3046\u3058\u306a\u307e\u3048 \u00d7 \u9ad8\u6a4b\u9b8e\u5b50 \u4e8c\u4eba\u5c55\u300cUnframing the bodies\u300d\u304c\u958b\u50ac \/ ADF Art Gallery Project Vol.35 Myoji Namae \u00d7 Ayako Takahashi Two-Person Exhibition \u201cUnframing the bodies\u201d #adf #npoadf #art #galleries #exhibitions #Tokyo","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[6,10],"tags":[43,54,55,68,83,121],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2025\/08\/adf-web-magazine-art-gallery-project-vol35-3.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/282641"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=282641"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/282641\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/282590"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=282641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=282641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=282641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}