{"id":265989,"date":"2024-10-09T14:23:12","date_gmt":"2024-10-09T05:23:12","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=265989"},"modified":"2024-10-09T14:26:12","modified_gmt":"2024-10-09T05:26:12","slug":"symposium-how-has-japanese-contemporary-art-changed-since-1989-to-take-place-at-the-national-art-center-tokyo","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/symposium-how-has-japanese-contemporary-art-changed-since-1989-to-take-place-at-the-national-art-center-tokyo\/","title":{"rendered":"Symposium: How has Japanese contemporary art changed since 1989 to take place at the National Art Center, Tokyo"},"content":{"rendered":"

Sorry, this entry is only available in Japanese<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

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\"adf-web-magazine-symposium-nact-1\"<\/a><\/p>\r\n

\"adf-web-magazine-symposium-nact-2\"<\/a><\/p>\r\n\r\n

\"adf-web-magazine-symposium-nact-5\"<\/a>

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\r\nReference Image: Tatsuo Miyajima, \"Mega Death,\" 1999 \u00a9Tatsuo Miyajima, \u00a9Estate of Shigeo ANZA\u00cf, 1999. Courtesy of ANZA\u00cf Photo Archive, The National Art Center, Tokyo<\/p><\/div>\r\n\r\n

\u767b\u58c7\u8005<\/h4>\r\n

\u30ad\u30e3\u30b7\u30fc\u30fb\u30cf\u30eb\u30d6\u30e9\u30a4\u30d2\uff08Kathy Halbreich\uff09<\/h5>\r\n

\"adf-web-magazine-symposium-nact-7\"<\/a><\/p>\r\n

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\"adf-web-magazine-symposium-nact-3\"<\/a>

Photo by Ben Warren<\/p><\/div>\r\n\r\n

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\u76ae\u529b\uff08\u30d4\u30fc\u30fb\u30ea\u30fc \uff09 Pi Li<\/h5>\r\n

\"adf-web-magazine-symposium-nact-8\"<\/a><\/p>\r\n

\u5927\u8218\u5f53\u4ee3\u7f8e\u8853\u9928\uff08\u9999\u6e2f\uff09\u30a2\u30fc\u30c8\u90e8\u9580\u9577\u3002\u5143M+\uff08\u9999\u6e2f\uff09\u30b7\u30b0\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u30fb\u30b7\u30cb\u30a2\u30fb\u30ad\u30e5\u30ec\u30fc\u30bf\u30fc\u3001\u5b66\u82b8\u90e8\u9577\u30022001-12\u5e74\u306b\u306f\u4e2d\u592e\u7f8e\u8853\u5b66\u9662\uff08CAFA\uff09\u306e\u7f8e\u8853\u7ba1\u7406\u90e8\u9580\u306e\u526f\u30a8\u30b0\u30bc\u30af\u30c6\u30a3\u30d6\u30fb\u30c7\u30a3\u30ec\u30af\u30bf\u30fc\u30012005-12\u5e74\u306b\u306fUniversal Studios-Beijing\uff08\u5f8c\u306eBoers-Li Gallery\uff09\u306e\u5171\u540c\u8a2d\u7acb\u8005\u517c\u30c7\u30a3\u30ec\u30af\u30bf\u30fc\u3092\u52d9\u3081\u305f\u3002<\/p>\r\n

\u30ad\u30e5\u30ec\u30fc\u30b7\u30e7\u30f3\u3057\u305f\u5c55\u89a7\u4f1a\u306b\u300cRight Is Wrong: Four Decades of Chinese Art in M+ Sigg Collection\u300d\u30a6\u30a3\u30c3\u30c8\u30ef\u30fc\u30b9\u30fb\u30ae\u30e3\u30e9\u30ea\u30fc\uff08\u30de\u30f3\u30c1\u30a7\u30b9\u30bf\u30fc\u30012015\u5e74\uff09\u30d3\u30eb\u30c9\u30fb\u30e0\u30bb\u30a2\u30c3\u30c8\uff08\u30a6\u30fc\u30e1\u30aa\u3001\u30b9\u30a6\u30a7\u30fc\u30c7\u30f3\u30012014\u5e74\uff09\u3001\u300cMoist: MAAP in Beijing 2002\u300d\u4e2d\u83ef\u4e16\u7d00\u58c7\uff08\u5317\u4eac\u30012002\u5e74\uff09\u3001\u300cFantasia\u300dspace imA\uff08\u30bd\u30a6\u30eb\u30012001\u5e74\uff09\u6771\u65b9\u73fe\u4ee3\u30a2\u30fc\u30c8\u30bb\u30f3\u30bf\u30fc\uff08\u5317\u4eac\u30012002\u5e74\uff09\u3001\u300cImage Is Power\u300d\u4f55\u9999\u51dd\u7f8e\u8853\u9928\uff08\u6df1\u5733\u30012002\u5e74\uff09\u306a\u3069\u304c\u3042\u308b\u3002<\/p>\r\n

\u30c9\u30ea\u30a2\u30f3\u30fb\u30c1\u30e7\u30f3\uff08Doryun Chong\uff09<\/h5>\r\n\r\n
\"adf-web-magazine-symposium-nact-9\"<\/a>

Doryun Chong, Deputy Director, Curatorial and Chief Curator, with Dots Obsession\u2014Aspiring to Heaven\u2019s Love (2022) at Yayoi Kusama: 1945 to Now, 2022\u3000\u00a9 YAYOI KUSAMA\u3000Photo: Dan Leung. Image courtesy of M+, Hong Kong<\/p><\/div>\r\n\r\n

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\u30a4\u30b6\u30d9\u30e9\u30fb\u30bf\u30e0\uff08Isabella Tam\uff09<\/h5>\r\n

\"adf-web-magazine-symposium-nact-4\"<\/a><\/p>\r\n

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\u5c39\u5fd7\u6167\uff08\u3086\u3093\u30fb\u3058\u3078\uff09<\/h5>\r\n

\"adf-web-magazine-symposium-nact-6\"<\/a><\/p>\r\n

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\u300c\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\uff1a\u65e5\u672c\u306e\u73fe\u4ee3\u7f8e\u8853\u306e\u5909\u9077\u30fc1989\u5e74\u3092\u8d77\u70b9\u3068\u3057\u3066\u300d\u958b\u50ac\u6982\u8981<\/span><\/h3><\/div>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\u65e5\u6642<\/td>\r\n2024\u5e7411\u67088\u65e5\uff08\u91d1\uff0915:00\uff5e18:00<\/td>\r\n<\/tr>\r\n
\u4f1a\u5834<\/td>\r\n\u56fd\u7acb\u65b0\u7f8e\u8853\u9928<\/a>3\u968e\u8b1b\u5802<\/td>\r\n<\/tr>\r\n
\u5b9a\u54e1<\/td>\r\n200\u540d<\/td>\r\n<\/tr>\r\n
\u53c2\u52a0\u65b9\u6cd5<\/td>\r\n\u5f53\u65e511\u6642\u3088\u308a1\u968e\u30fb\u4e2d\u592e\u30a4\u30f3\u30d5\u30a9\u30e1\u30fc\u30b7\u30e7\u30f3\u306b\u3066\u6574\u7406\u5238\u3092\u914d\u5e03<\/td>\r\n<\/tr>\r\n
\u6599\u91d1<\/td>\r\n\u7121\u6599<\/td>\r\n<\/tr>\r\n
URL<\/td>\r\nhttps:\/\/tinyurl.com\/4fhrrjb6<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table><\/article>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Japanese. For the sake of viewer convenience, the content is shown belo […]<\/p>\n","protected":false},"author":1,"featured_media":265985,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"Symposium: How has Japanese contemporary art changed since 1989 to take place at the National Art Center, Tokyo #adf #npoadf #\u56fd\u7acb\u65b0\u7f8e\u8853\u9928 #\u65e5\u672c\u306e\u73fe\u4ee3\u7f8e\u8853\u306e\u5909\u9077 #\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[6,10],"tags":[39,43,55,68,83,115],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/09\/adf-web-magazine-symposium-nact-1.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/265989"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=265989"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/265989\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/265985"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=265989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=265989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=265989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}