{"id":257760,"date":"2024-04-23T15:07:38","date_gmt":"2024-04-23T06:07:38","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=257760"},"modified":"2024-04-23T15:07:38","modified_gmt":"2024-04-23T07:52:24","slug":"yoshiyuki-umehara-solo-exhibition-mono-to-watashi","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/yoshiyuki-umehara-solo-exhibition-mono-to-watashi\/","title":{"rendered":"Yoshiyuki Umehara Solo Exhibition “Mono-to Watashi”"},"content":{"rendered":"

Exhibition and sale of 11 latest works<\/h3>\r\n

A<\/span>RTDYNE<\/a>\u00a0is pleased to present Yoshiyuki Umehara\u2019s solo exhibition \u201cMono-to Watashi\u201d from April 20 (Sat) to May 12 (Sun), 2024.Yoshiyuki Umehara, born in 1997, graduated from Tama Art University in 2020 with a major in oil painting, and is one of the hottest young artists based in Chiba Prefecture.\"adf-web-magazine-yoshiyuki-umehara\"<\/a><\/p>\r\n

Umehara uses a painting knife to apply layers of paint to a primed canvas, creating a massive surface that makes the viewer aware of the painting\u2019s existence as a material. The borders and layers, which are hardly smooth, convey the materiality of the paint even more directly, appealing to us with the allure of the raw mass of the painting. Umehara\u2019s words, \u201cI paint faces that emerge spontaneously from things and landscapes,\u201d strongly suggest his deep attachment to the motifs and his warm eye, as well as the peculiar way he perceives \u201cthings\u201d. In this exhibition, 11 of his latest works will be on display and for sale. We sincerely hope that you will take this opportunity to view and appreciate them.<\/p>\r\n

Artist Statement<\/h4>\r\n
\r\n

I still treasure a small plaster stone I made when I was in high school. It is in my studio, and looking at it reminds me of the many things I have done over the past ten years. The layers of time and memories have created an attachment to the stone and its presence.<\/p>\r\n

I paint the same image several times on a single canvas. By doing so, I am not trying to recreate the time and memories that have been layered on the motif, but rather to build a new relationship between the \u201cpainting (object)\u201d and \u201cI\u201d through this process.<\/p>\r\n

Yoshiyuki Umehara<\/p>\r\n<\/blockquote>\r\n

Yoshiyuki Umehara\u3000Profile<\/h4>\r\n

Born 1997 in Gunma Prefecture, Japan, she graduated from Tama Art University in 2020 with a degree in oil painting. One of the hottest young artists based in Chiba Prefecture. Major solo exhibitions in recent years include Solo Exhibitions 2023\u201cTransparent Mirror\u201d Night Out Gallery \/ Tokyo, \u201cMountain Day\u201d, ARTDYNE, Tokyo, Japan, 2022 \u201cFACE\u201d GALLERY ROOM A \/ Tokyo, \u201cBring It Back\u201d ARTDYNE \/ Tokyo, Japan,Group Exhibitions,2024 \u201cGroup Exhibition \u201cDRAW LINES & SHAPES IN MY MAPS\u201d T & Y Gallery \/ LA, 2023 \u201cOne face 2023\u201d Art and Pulse \/ Tokyo, \u201cARTNAGOYA 2023,\u201d Nagoya Kanko Hotel, Nagoya, Japan \u201cInto the Unknown,\u201d YK Presents \/ Seoul, Opening Group Exhibition 2023, Bluey Bluey \/ Norwich,UK.<\/p>\r\n

Yoshiyuki Umehara Solo Exhibition \"Mono-to Watashi\"<\/span><\/h3><\/div>\r\n\r\n\r\n\r\n\r\n\r\n
Dates<\/td>\r\n20 April to 12 May 2024.<\/td>\r\n<\/tr>\r\n
Venue<\/td>\r\nARTDYNE<\/td>\r\n<\/tr>\r\n
URL<\/td>\r\nhttps:\/\/www.art-dyne.com\/<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table><\/article>","protected":false},"excerpt":{"rendered":"

Exhibition and sale of 11 latest works RTDYNE\u00a0is pleased to present Yoshiyuki Umehara\u2019s solo exhibition \u201cMono- […]<\/p>\n","protected":false},"author":1,"featured_media":257759,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"\u30a2\u30fc\u30c8\u30ae\u30e3\u30e9\u30ea\u30fcARTDYNE\u3067\u6885\u539f\u7fa9\u5e78\u500b\u5c55\u300c\u3082\u306e\u3068\u79c1\u300d\u304c\u958b\u50ac #adf #npoadf #\u30a2\u30fc\u30c8 #\u30a2\u30fc\u30c8\u30ae\u30e3\u30e9\u30ea\u30fc #\u5c55\u793a\u4f1a #\u6771\u4eac","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[6],"tags":[54,55,83,121],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/04\/678a0114ae4244d9412058b7f60ec02e.jpeg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/257760"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=257760"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/257760\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/257759"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=257760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=257760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=257760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}