{"id":252062,"date":"2024-01-26T14:58:02","date_gmt":"2024-01-26T05:58:02","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=252062"},"modified":"2024-01-26T14:58:02","modified_gmt":"2024-01-27T03:45:24","slug":"none-whatsoever-zen-paintings-from-the-gitter-yelen-collection-exhibition-to-be-held-at-japan-society-gallery","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/none-whatsoever-zen-paintings-from-the-gitter-yelen-collection-exhibition-to-be-held-at-japan-society-gallery\/","title":{"rendered":"&#8220;None Whatsoever: Zen Paintings from the Gitter-Yelen Collection&#8221; Exhibition to be Held at Japan Society Gallery"},"content":{"rendered":"<article class=\"cb-itemprop\" itemprop=\"reviewBody\"><h3>How Zen Painters Sought to Transcend the Fantastical Concerns and Constraints of the Modern World around Them<\/h3>\r\n<p>\"<a href=\"https:\/\/japansociety.org\/gallery\/none-whatsoever-zen-paintings-from-the-gitter-yelen-collection\/\" target=\"_blank\" rel=\"noopener\">None Whatsoever: Zen Paintings from the Gitter-Yelen Collection<\/a>\" will be on view from March 8 to June 16, 2024 at <a href=\"https:\/\/japansociety.org\/gallery\/\" target=\"_blank\" rel=\"noopener\">Japan Society Gallery<\/a>. Spanning over 400 years, the exhibition examines the origins of Zen Buddhism through the contributions of Buddhist painter-monks, whose ink paintings and calligraphies have helped to define this fascinating religious and artistic tradition.<\/p>\r\n\r\n<div id=\"attachment_252061\" style=\"width: 760px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen.jpg\"><img aria-describedby=\"caption-attachment-252061\" src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-750x549.jpg\" alt=\"adf-web-magazine-zen-paintings-gitter-yelen\" width=\"750\" height=\"549\" class=\"wp-image-252061 size-ADFwebimage999\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-750x549.jpg 750w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-300x220.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-1024x750.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-150x110.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-768x562.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-1536x1124.jpg 1536w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-230x168.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-546x400.jpg 546w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-683x500.jpg 683w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-956x700.jpg 956w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-500x366.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen-600x439.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen.jpg 1560w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/a><p id=\"caption-attachment-252061\" class=\"wp-caption-text\">Yamaoka Tessh\u016b, Talismanic Dragon, 19th century, hanging scroll, ink on paper.<br>\r\nThe Museum of Fine Arts, Houston, the Gitter-Yelen Collection<\/p><\/div>\r\n\r\n<p><em>None Whatsoever<\/em> features masterworks of Zenga-style Japanese paintings drawn from the collection of New Orleans-based Kurt Gitter and Alice Yelen Gitter, renowned as one of the most important collections of Zen Buddhist art in the world. The term \u201cZenga,\u201d meaning \u201cZen Painting,\u201d designates paintings and calligraphies created primarily by Japanese monk painters from the Edo period (1615\u20131868) through the modern era. Playful, bold, and gestural, Zenga are often characterized by monochromatic, relatively simple designs, in contrast to other types of Buddhist painting, which are known for highly detailed compositions, bright colors, supernatural deities, and complicated cosmic diagrams.<\/p>\r\n<p>The exhibition builds on Japan Society Gallery\u2019s history of exhibitions and programs exploring Zen Buddhist artwork and concepts, including Awakenings: Zen Figure Painting in Medieval Japan (2007), The Sound of One Hand: Paintings and Calligraphy by Zen Master Hakuin (2010) and its most recent exhibition Out of Bounds: Japanese Women Artists in Fluxus (2023-2024). In conjunction with the exhibition, visitors will also be invited to engage with Zen Buddhist practices through wide-ranging public programming, from in-gallery meditation sessions to calligraphy workshops and tea ceremony demonstrations.<\/p>\r\n<div class=\"cb-divider clearfix\"><h3 class=\"noimg\"><span class=\"cb-title\">None Whatsoever: Zen Paintings from the Gitter-Yelen Collection<\/span><\/h3><\/div>\r\n<table style=\"border-collapse: collapse; width: 100%;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 25%;\">Date<\/td>\r\n<td style=\"width: 75%;\">March 8 to June 16, 2024<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">Time<\/td>\r\n<td style=\"width: 75%;\">12:00\uff5e19:00\u3000(Closed on Mondays and Tuesdays)<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">Venue<\/td>\r\n<td style=\"width: 75%;\"><a href=\"https:\/\/japansociety.org\/gallery\/\" target=\"_blank\" rel=\"noopener\">Japan Society Gallery<\/a>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">Fee<\/td>\r\n<td style=\"width: 75%;\">12USD for General, 10USD for Seniors and Students<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">Ticket<\/td>\r\n<td style=\"width: 75%;\"><a href=\"https:\/\/japansociety.org\/gallery\/\" target=\"_blank\" rel=\"noopener\">https:\/\/japansociety.org\/gallery\/<\/a><\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25%;\">URL<\/td>\r\n<td style=\"width: 75%;\"><a href=\"http:\/\/tinyurl.com\/y6hwcska\" target=\"_blank\" rel=\"noopener\">http:\/\/tinyurl.com\/y6hwcska<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table><\/article>","protected":false},"excerpt":{"rendered":"<p>How Zen Painters Sought to Transcend the Fantastical Concerns and Constraints of the Modern World around Them  [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":252061,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"\"None Whatsoever: Zen Paintings from the Gitter-Yelen Collection\" Exhibition to be Held at Japan Society Gallery #adf #npoadf #\u30b8\u30e3\u30d1\u30f3\u30bd\u30b5\u30a8\u30c6\u30a3\u30fc\u30ae\u30e3\u30e9\u30ea\u30fc #\u7985\u753b #GitterYelen #ZenPaintings #JapanSocietyGallery","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[6,10],"tags":[54,55,72,83,121,138,446],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2024\/01\/adf-web-magazine-zen-paintings-gitter-yelen.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/252062"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=252062"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/252062\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/252061"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=252062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=252062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=252062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}