{"id":206001,"date":"2022-09-03T18:58:37","date_gmt":"2022-09-03T09:58:37","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=206001"},"modified":"2022-09-03T18:58:37","modified_gmt":"2022-09-03T09:58:37","slug":"things-to-keep-in-mind-while-working","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/things-to-keep-in-mind-while-working\/","title":{"rendered":"Things to keep in mind while working"},"content":{"rendered":"

OOOOOOOO \/ _k_tolch_<\/h3>\r\n

Stop lying to yourself and start lying to other people<\/p>\r\n

O<\/p>\r\n

Are you a content producer or are you an artist?<\/p>\r\n

O<\/p>\r\n

Emphasize Irrationality<\/p>\r\n

O<\/p>\r\n

Paint in the dark<\/p>\r\n

O<\/p>\r\n

Willfully blind yourself to known outcomes<\/p>\r\n

O<\/p>\r\n

The more you know about your paintings, the less interesting they become<\/p>\r\n

O<\/p>\r\n

It\u2019s about expressing a possible outcome out of incalculable amounts of potential<\/p>\r\n

O<\/p>\r\n

It\u2019s about becoming a producer of form, but more specifically about how one can express an unfamiliarity and expose a process that communicates something arbitrary yet specific about how painting contributes to people\u2019s perception of their own irrationality and their blanket denial of it.<\/p>\r\n

O<\/p>\r\n

If hierarchy is gone, then that opens the door for alternative timelines.\u00a0 As a result, the idea of time evaporates all together<\/p>\r\n

O<\/p>\r\n

Painting as pipe organ in a space of your own making.<\/p>\r\n

O<\/p>\r\n

Paintings are a visual system that needs itself to affirm itself as a system (reflexivity)<\/p>\r\n

O<\/p>\r\n

Act decisively, that\u2019s all.\u00a0 Act. Define the problem, then act.\u00a0 Don\u2019t become a victim of your gift.\u00a0 It\u2019s not a burden, perhaps you just don\u2019t know how to manage it.\u00a0 Get out of your own way.\u00a0<\/p>\r\n

O<\/p>\r\n

There is no failure<\/p>\r\n

O<\/p>\r\n

Art is vital to your welfare<\/p>\r\n

O<\/p>\r\n

It\u2019s a stand-in for all those things: inexplicable, ineffable and impossible<\/p>\r\n

O<\/p>\r\n

The generation of a form must engage with the process.\u00a0 Nothing can be arbitrary.\u00a0 The forms have to be generated by those principles of the framework.<\/p>\r\n

O<\/p>\r\n

The moment a painting begins to reveal its identity is maybe the most difficult point to get to.\u00a0 It\u2019s just never clear what the painting will become.\u00a0 It\u2019s very spontaneous.<\/p>\r\n

O<\/p>\r\n

How might you introduce a new space?<\/p>\r\n

O<\/p>\r\n

The forms of a painting are a language of varying degrees of subjectivity<\/p>\r\n

O<\/p>\r\n

Values<\/strong>:\u00a0 Dislocation, Disregard for logic, Irrationality, Desire for freedom, A feeling of limitlessness, Light, Space, Conflict\/Ambivalence, Pathos\/wistful, Impending failure\/breakdown, Labor\/Touch, Body \u2192<\/strong> Hand \u2192<\/strong> Painting, God Mode \u2192 IDKFA \/ IDDQD \/ IDBEHOLD, Noise\/Corruption<\/p>\r\n

O<\/p>\r\n

Rather than limiting oneself to conservative and safer practices of formal invention, consider your habits, identify them and develop strategies to demonstrate a willingness and desire to resist unnecessary restraint.\u00a0 For example, if one habitually covers an entire painting with one color, rather than approaching this as a defect that needs to be adjusted, introduce a formal strategy that says, \u201cI know and IDGAF\u201d.\u00a0 In this case, use more contour lines to show your willingness to completely ignore the assertion of their presence.\u00a0 It\u2019s an ironic gesture.<\/p>\r\n

O<\/p>\r\n

Painting as desire to communicate an exchange regarding the unidentifiable, inexplicably mysterious process of the production of meaning<\/p>\r\n

O<\/p>\r\n

Explain the character and texture of the self-consciousness your painting provokes in yourself and others.\u00a0 This will have to be answered while looking.<\/p>\r\n

O<\/p>\r\n

Painting as access to one's consciousness<\/p>\r\n

O<\/p>\r\n

The disregard for codified systems results in dislocation.\u00a0 That dislocation results in a fulcrum between what has been done and what is possible.<\/p>\r\n

O<\/p>\r\n

Perpetual Motion, relational mechanics<\/p>\r\n

O<\/p>\r\n

Grid is an authority.\u00a0 It should be disrespected, undermined and made fun of at all times and at all costs<\/p>\r\n

O<\/p>\r\n

A painting talks about it\u2019s own limitations: A flat surface, A picture space, a site for formal invention<\/p>\r\n

O<\/p>\r\n

Painting seems to want to question what it means to actually know something for sure.\u00a0 You definitely don\u2019t<\/p>\r\n

O<\/p>\r\n

It\u2019s about its own inherent desire to understand what it is without interjecting a kind of rationalism<\/p>\r\n

O<\/p>\r\n

An unanticipated resolution will have you considering very old paintings<\/p>\r\n

O<\/p>\r\n

Rules for painting on any given day:<\/h4>\r\n