{"id":163759,"date":"2020-09-09T12:24:33","date_gmt":"2020-09-09T03:24:33","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=163759"},"modified":"2020-09-11T19:00:32","modified_gmt":"2020-09-11T10:00:32","slug":"yu-aijun-golden-black-held-at-shun-art-gallary-tokyo","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/yu-aijun-golden-black-held-at-shun-art-gallary-tokyo\/","title":{"rendered":"Yu Aijun &#8220;Golden Black&#8221; Held at Shun Art Gallary Tokyo"},"content":{"rendered":"<article class=\"cb-itemprop\" itemprop=\"reviewBody\"><h3>Yu Aijun's first exhibition in Japan, \"Golden Black\" will be held at Shun Art Gallary Tokyo<\/h3>\r\n<p>The third exhibition of Shun Art Gallery Tokyo will be the first solo exhibition in Japan by artist Yu Ai-jun, who lives in Shenyang, Liaoning Province, China. \u00a0Yu is an artist who expresses various expressions such as paintings, installations, videos, and writing. He is also a prolific artist and produces various series of works.\u00a0In this solo exhibition,\u00a0 his artworks will be exhibited in installation, which brings the most out of Yu's artwork's richness and diversity.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-500x707.jpg\" alt=\"adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1\" width=\"500\" height=\"707\" class=\"aligncenter wp-image-163755 size-ADFwebimage500\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-500x707.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-106x150.jpg 106w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-212x300.jpg 212w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-768x1086.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-724x1024.jpg 724w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-230x325.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-283x400.jpg 283w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-354x500.jpg 354w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-424x600.jpg 424w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-495x700.jpg 495w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-600x849.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1-750x1061.jpg 750w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\r\n<p><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-750x577.jpg\" alt=\"adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3\" width=\"750\" height=\"577\" class=\"aligncenter size-ADFwebimage999 wp-image-163757\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-750x577.jpg 750w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-150x115.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-300x231.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-768x591.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-1024x788.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-230x177.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-520x400.jpg 520w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-650x500.jpg 650w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-780x600.jpg 780w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-910x700.jpg 910w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-500x385.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-600x462.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3-1320x1015.jpg 1320w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-3.jpg 1400w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\r\n<blockquote>\r\n<p>For a long time, I have used paintings, videos, installations and other media to focus on the many problems and conflicts between individuals and collectives in reality, to expand political commentary and media imagination, and often use \u201csketching\u201d as a consciously updated experimental path. The exhibitions are mostly in the form of projects to promote the progress or evolution of the current stage of work.<\/p>\r\n<p style=\"text-align: right;\">Aijun Yu<\/p>\r\n<\/blockquote>\r\n<h4>Artist Profile<\/h4>\r\n<p><b>1971<\/b> Born in Taling Town, Liaoning Province, China<br>\r\n<b>2004<\/b> Graduated from the Oil Painting Department of Luxun Academy of Fine Arts&lt;<br>\r\nLives and works in Shenyang<\/p>\r\n<h5>Solo Exhibitions<\/h5>\r\n<p><b>2019 <\/b>Suttering, Yu aijun\u2019s Project. M\u2019Studio, Beijing<br>\r\nEither the east wind blows over the West Wind or the West Wind Blows over the East Wind Heavy Truck, Chen Gallery, Beijing<br>\r\n<b>2018 <\/b>Liansan, OVO Art Space, Taipei<br>\r\nThey confession,They said yes. But they shouted\uff0cBasel Art Exhibition, Hong Kong<br>\r\nTimetable Occupy Station, 55 Gallery, Shanghai<br>\r\n<b>2017 <\/b>Yu Aijin \u2013 Group in the Dark, Being 3 Gallery, Beijing<br>\r\nMud and Swamp, Fuyan Commune, Beijing<br>\r\nMeasure of Time, Soka Lab, Beijing<br>\r\n<b>2016<\/b> Emergence, E Space, Shanghai<br>\r\nHostility \u2013 Yu Aijun\u2019s Works, Fu Yan Commune, Beijing<br>\r\nResist the View \u2013 Solo Exhibition of Yu Aijun, Taibei<br>\r\nCleanse \u2013 Yu Aijun\u2019s Works, Top Red Gallery, Beijing<br>\r\nThings Discussion, Honyo Art Centre, Beijing<br>\r\nManuscript, When Shine Art Centre, Nanjing<br>\r\n<b>2015<\/b> Unclassified Painting \u2013 home letters and Others, MOCA<br>\r\nKing shallow like answer, Art Seasons Gallery, Singapore<br>\r\n<b>2014 <\/b>LARGEPIGMENT, Art Seasons Beijing, Beijing<br>\r\nScrawl, Shenyang Jolie Art Gallery, Shenyang<br>\r\n<b>2012<\/b> Stagnation \u2013 Ink paintings of Yu Aijun, Librairie Avant-Garde, Nanjing<br>\r\nShadow Drawings \u2013 New works on paper of Yu Aijun, Eastlink Gallery, Shanghai<br>\r\nInk, PIFO New Art Studios, Beijing<br>\r\n<b>2011<\/b> Practices of Illumination and Prune Bamboo, Art Museum of The Luxun Academy of Fine Arts, Shenyang<br>\r\nReal Scenes, Fake Stories, Hehui Art Space, Shanghai<br>\r\nSix Pieces of Paintings, Beijing BBT Publishing consultant Co. Ltd, Beijing<\/p>\r\n<div class=\"cb-divider clearfix\"><h3 class=\"noimg\"><span class=\"cb-title\">Aijun Yu \"Golden Black\" Details<\/span><\/h3><\/div>\r\n<table border=\"0\" style=\"border-collapse: collapse; width: 100%;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 24.4792%;\">Duration<\/td>\r\n<td style=\"width: 75.5208%;\">2020.9.5\uff08Sat\uff09- 2020.10.18\uff08Sun\uff0912:00 - 19:00\u00a0 Closed on Monday<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 24.4792%;\">Venue<\/td>\r\n<td style=\"width: 75.5208%;\"><a href=\"https:\/\/shunartdesign.com\/\" title=\"https:\/\/shunartdesign.com\/\">Shun Art Gallery Tokyo<\/a><br>\r\n2-2-4 Daiba, Minato-ku, Tokyo Clinic Mall 3rd floor<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 24.4792%;\">Phone<\/td>\r\n<td style=\"width: 75.5208%;\">+81 (0) 3-6426-0726<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<p>&nbsp;<\/p><\/article>","protected":false},"excerpt":{"rendered":"<p>Yu Aijun&#8217;s first exhibition in Japan, &#8220;Golden Black&#8221; will be held at Shun Art Gallary Tokyo The third exhibiti [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":163755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"\u4e8e\u827e\u541b YU Aijun \u500b\u5c55\u300cGOLDEN BLACK -\u9ed2\u91d1-\u300d| Shun Art Gallery Tokyo \/ Yu Aijun \"Golden Black\" Held at Shun Art Gallary Tokyo\r\n#YuAijun #ShunArtGalleryTokyo \r\n#art #installation #artist #Tokyo #\u304a\u53f0\u5834 #postCorona #\u30a2\u30d5\u30bf\u30fc\u30b3\u30ed\u30ca","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[6,10],"tags":[43,46,54,68,83,121,165,177,182,326],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/2020\/08\/adf-web-magazine-shun-art-gallary-tokyo-yu-aijun-1.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/163759"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=163759"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/163759\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/163755"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=163759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=163759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=163759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}