{"id":134723,"date":"2019-11-15T18:35:38","date_gmt":"2019-11-15T09:35:38","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=134723"},"modified":"2019-11-15T18:35:38","modified_gmt":"2019-11-15T09:36:36","slug":"san-cataldo-cemetery-by-aldo-rossi","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/architect\/san-cataldo-cemetery-by-aldo-rossi\/","title":{"rendered":"TIMELESS ARCHITECTURE: SAN CATALDO CEMETERY BY ALDO ROSSI"},"content":{"rendered":"<article class=\"cb-itemprop\" itemprop=\"reviewBody\"><blockquote>\r\n<p class=\"en\">An architect who happens to be a poet<\/p>\r\n<p class=\"en\" style=\"text-align: right;\">Ada Louise Huxtable, architectural critic and Pritzker juror<\/p>\r\n<\/blockquote>\r\n<p><span class=\"cb-dropcap-big\">W<\/span>hen I was a little, child I used to play with geometric wooden toys. Squares, triangles, circles. I loved them. I especially loved the way they fix through their corresponding carved shapes in my wood table. I grew up and my fantasy as well; I started to use them to build single structures and then entire scenarios: Just a few shapes and endless possibilities to play.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-759x114.jpg\" alt=\"adfwebmagazine_aldo_rossi2\" width=\"759\" height=\"114\" class=\"aligncenter size-ADFwebimage999 wp-image-134709\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-759x114.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-150x23.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-300x45.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-768x115.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-1024x154.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-230x35.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-600x90.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-500x75.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\r\n<p>I am still fascinated by those toys, whose roots belong to an unspecified past and the childhood of billions of children in history. In spite of everything, they remain the basis of almost all contemporary educational methods: by understanding simple geometric shapes the child comes to master volumes and compositions of space. A seemingly simple operation that allowed us all to manipulate an imaginary reality to our will.<\/p>\r\n<div id=\"toc_container\" class=\"no_bullets\"><p class=\"toc_title\">Contents<\/p><ul class=\"toc_list\"><li><a href=\"#Aldo_Rossi_1931-1997\">Aldo Rossi (1931-1997)<\/a><ul><li><a href=\"#Archetypes\">Archetypes<\/a><\/li><\/ul><\/li><li><a href=\"#San_Cataldo_Cemetery_by_Aldo_Rossi_1971\">San Cataldo Cemetery by Aldo Rossi (1971)<\/a><ul><li><a href=\"#The_city_of_dead\">The city of dead<\/a><\/li><li><a href=\"#The_structure\">The structure<\/a><\/li><li><a href=\"#The_fence\">The fence<\/a><\/li><li><a href=\"#The_cube\">The cube<\/a><\/li><li><a href=\"#The_central_spine_and_the_cone\">The central spine and the cone<\/a><\/li><\/ul><\/li><li><a href=\"#Info\">Info<\/a><\/li><\/ul><\/div>\n\r\n<h3><span id=\"Aldo_Rossi_1931-1997\">Aldo Rossi (1931-1997)<\/span><\/h3>\r\n<p><strong>Aldo Rossi<\/strong> is an Italian architect who managed to manipulate our reality and to solve the problem of inhabiting the world. He highlighted his unique approach through a personal and unmistakable language in Architecture, which was characterized by very few repeated elements. His crystalline and provocative simplicity has often been misunderstood as mere schematism. Nothing\u2019s more wrong. Rossi has designed a synthesis of his \u201curban utopia\u201d conceiving it as a composition of simple juxtaposed element which are stored in our collective memory, the so-called archetypes.<\/p>\r\n<h4><span id=\"Archetypes\">Archetypes<\/span><\/h4>\r\n<p>Rossi was obsessed with the idea of giving sense to the architect's e\ufb00ort as well as with the social importance of designing spaces.<\/p>\r\n<p>In his constant research, Rossi created a language which ideally sums up all the architectural styles over the centuries, identifying them in a series of elementary geometric shapes, the <em>fil-rouge <\/em>of his poetry. In this way, he built a meeting point between past and present, between tradition and modernity.<\/p>\r\n<p>The architecture returns to the primal forms to revoke its prime intent.<\/p>\r\n<p>Far from the pure functionalism and against the formal stereotypes that he traced out in the International Style, he led a new vision that would orient and guide the good architectural practice.<\/p>\r\n<p>He wrote the \u201cArchitecture of the City\u201d (1966), one of the most influential books ever written by an architect. In this book, he proposes an objective re-foundation of the discipline which couldn\u2019t still be self-referential anymore. It had to return within its historical coordinates and to its main social function: the conception of the city.\u00a0<\/p>\r\n<p>Last but not least, Aldo Rossi was also passionate about theatre and cinematography. His works are far from just being a styling exercise. Every single project brings instead a heavy drama inside: the elements are not just \u201crepresented\u201d, they are \u201cacting\u201d. The space becomes a stage. And the architectures constantly dialogue between them just as much with the inhabitants and time.<\/p>\r\n<p>Thanks to his uniqueness, he became the first Italian architect to win the Pritzker Prize (1990).<\/p>\r\n<h3 style=\"margin-top: .05pt;\"><span id=\"San_Cataldo_Cemetery_by_Aldo_Rossi_1971\"><span lang=\"EN-US\"><strong>San Cataldo Cemetery by Aldo Rossi (1971)<\/strong><o:p><\/o:p><\/span><\/h3>\r\n<p>This project, designed with <strong>Gianni Braghieri<\/strong>, is considered a masterpiece. The drawings are exhibited in MoMA, New York, and tourists came from all over the world to visit this Post-Modern monument, which summarizes the complexity of the architect\u2019s poetical and theoretical approach.<\/p>\r\n\r\n<div id=\"attachment_134710\" style=\"width: 769px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3.jpg\"><img aria-describedby=\"caption-attachment-134710\" src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-759x553.jpg\" alt=\"adfwebmagazine_aldo_rossi3\" width=\"759\" height=\"553\" class=\"wp-image-134710 size-ADFwebimage999\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-759x553.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-150x109.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-300x219.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-768x559.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-1024x746.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-230x168.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-549x400.jpg 549w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-961x700.jpg 961w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-600x437.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-500x364.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3-686x500.jpg 686w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi3.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><p id=\"caption-attachment-134710\" class=\"wp-caption-text\">Entrance of San Cataldo cemetery<\/p><\/div>\r\n\r\n<p><strong>1971<\/strong> - The Municipal Administration of Modena (Italy), announces a national call for ideas to expand the ancient cemetery Cesare Costa (1858-1876). The competition particularly focuses on the philosophical and\u00a0religious contents, rather than architectural pioneering or futuristic technological aspects. The competition aims to conceive a real monumental symbol for Architecture and the local community.<\/p>\r\n<p>As mentioned above, architecture represents an all-encompassing experience for Rossi, and every project is the outcome of a unique mix of personal researches and subjective experiences. The fundamental event which occurred before the design of the cemetery was a terrible automobile accident that happened on his way to Istanbul. The event caused him a long period of infirmity: during this time, due to the pain caused by his fractured bones, he found himself to identify death with the skeleton morphology, as he reports in his book \u201c<em>A Scientific Autobiography\u201d (1981)<\/em>. This event also defined the end of his youth.<\/p>\r\n<h4><span id=\"The_city_of_dead\"><span lang=\"EN-US\">The city of dead<o:p><\/o:p><\/span><\/h4>\r\n<p>Aldo Rossi's cemetery is everything that we could least expect from a classic cemetery. The access is through a very long concrete porch.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-759x569.jpg\" alt=\"adfwebmagazine_aldo_rossi4\" width=\"759\" height=\"569\" class=\"aligncenter size-ADFwebimage999 wp-image-134711\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-759x569.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-150x113.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-300x225.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-768x576.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-1024x768.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-230x173.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-533x400.jpg 533w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-933x700.jpg 933w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-600x450.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-500x375.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4-667x500.jpg 667w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi4.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-500x729.jpg\" alt=\"adfwebmagazine_aldo_rossi5\" width=\"500\" height=\"729\" class=\"aligncenter wp-image-134712 size-ADFwebimage500\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-500x729.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-103x150.jpg 103w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-206x300.jpg 206w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-768x1120.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-702x1024.jpg 702w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-230x335.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-274x400.jpg 274w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-480x700.jpg 480w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-600x875.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-343x500.jpg 343w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5-759x1107.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi5.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\r\n<p>Suddenly, from a distance, we can start to see something: a huge lawn, some sharped lines, an intense blue, and a large orange cube.<\/p>\r\n<p>\u201cWhere am I?\u201d The question arises.<\/p>\r\n<p>While on the one hand, the \u201ccity of the living\u201d is the theater where human activities take place, the cemetery is \u201cthe city of the dead\u201d where everything is motionless.<\/p>\r\n<h4><span id=\"The_structure\"><span lang=\"EN-US\">The structure<o:p><\/o:p><\/span><\/h4>\r\n<p>As we enter, we are projected into a seemly never-ending perspective. Death is eternal. It seems to be in one of those metaphysical landscapes of Giorgio De Chirico, the Italian painter who used clear volumes, spatial illusions, shadow projections, and a tangible silence to create paralyzed scenarios. Aldo Rossi was deliberately inspired by his works, and he uses the same communication to conceive blocking-time- architectures.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-759x569.jpg\" alt=\"adfwebmagazine_aldo_rossi6\" width=\"759\" height=\"569\" class=\"aligncenter size-ADFwebimage999 wp-image-134713\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-759x569.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-150x113.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-300x225.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-768x576.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-1024x768.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-230x173.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-533x400.jpg 533w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-933x700.jpg 933w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-600x450.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-500x375.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6-667x500.jpg 667w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi6.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\r\n<p>The composition is based on a few recognizable elements: cubes, triangles, rectangles. They create a contrast with the ancient cemetery.<\/p>\r\n<p>But the aim is not breaking with the past. Rossi builds an extension of the old one by duplicating the space, using the \"past\" as a canvas. The cemetery follows the dimensional aspects in every way: the Costa building measures 180x272 meters, while the new expansion is 180x280 meters. With this design gesture, the architect tries to \"solve\" an inconclusive symmetry, by reconnecting the new to the pre-existence of the old.<\/p>\r\n<h4><span id=\"The_fence\"><span lang=\"EN-US\">The fence<o:p><\/o:p><\/span><\/h4>\r\n<p>The fence is an architectural spatial archetype that represents the primordial concept of di\ufb00erentiation between interior and exterior as well as the first symbol used by man to di\ufb00erentiate sacred space from the rest.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-759x569.jpg\" alt=\"adfwebmagazine_aldo_rossi7\" width=\"759\" height=\"569\" class=\"aligncenter size-ADFwebimage999 wp-image-134714\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-759x569.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-150x113.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-300x225.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-768x576.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-1024x768.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-230x173.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-533x400.jpg 533w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-933x700.jpg 933w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-600x450.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-500x375.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7-667x500.jpg 667w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi7.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\r\n<p>Rossi and Braghieri do not treat it as a simple wall but they connote it as a volumetric element in which corpses rest inside. The entire fence is covered by a triangular section roof, an arc with an absence of resolution.<\/p>\r\n<p>The choice is not dictated by a technical need but is justified by a clever attempt to harmonize the structure to the urban context of Modena, creating a structural continuity. After creating an ideal continuity with the cemetery, the architecture seeks a dialogue with the city in which it is hosted. Modena is characterized by the modular and rhythmic element of the arcades, all along the city center.<\/p>\r\n<h4><span id=\"The_cube\"><span lang=\"EN-US\">The cube<o:p><\/o:p><\/span><\/h4>\r\n<p>This is the center of the composition. The atmosphere is almost familiar. The cube represents a house but is a sinister house, the house of the\u00a0deceased precisely. We face another primitive form and a second architectural archetype: the house of the dead, which is always represented by an abandoned house in architecture.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-759x569.jpg\" alt=\"adfwebmagazine_aldo_rossi8\" width=\"759\" height=\"569\" class=\"aligncenter size-ADFwebimage999 wp-image-134715\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-759x569.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-150x113.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-300x225.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-768x576.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-1024x768.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-230x173.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-533x400.jpg 533w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-933x700.jpg 933w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-600x450.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-500x375.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8-667x500.jpg 667w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi8.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\r\n<p>For such reason, the cube has no doors, no roof, and it is covered in holes: it is the ossuary of the cemetery. The holes are specularly connected inside with the niches that house the bones.<\/p>\r\n\r\n<div id=\"attachment_134716\" style=\"width: 769px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9.jpg\"><img aria-describedby=\"caption-attachment-134716\" src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-759x576.jpg\" alt=\"adfwebmagazine_aldo_rossi9\" width=\"759\" height=\"576\" class=\"wp-image-134716 size-ADFwebimage999\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-759x576.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-150x114.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-300x228.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-768x583.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-1024x777.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-230x175.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-527x400.jpg 527w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-922x700.jpg 922w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-600x456.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-500x380.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9-659x500.jpg 659w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi9.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><p id=\"caption-attachment-134716\" class=\"wp-caption-text\">Inside the ossuary<\/p><\/div>\r\n\r\n<p>The object appears unfinished: a symbol of a life suddenly broken.<\/p>\r\n\r\n<div id=\"attachment_134717\" style=\"width: 769px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10.jpg\"><img aria-describedby=\"caption-attachment-134717\" src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-759x569.jpg\" alt=\"adfwebmagazine_aldo_rossi10\" width=\"759\" height=\"569\" class=\"wp-image-134717 size-ADFwebimage999\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-759x569.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-150x113.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-300x225.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-768x576.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-1024x768.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-230x173.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-533x400.jpg 533w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-933x700.jpg 933w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-600x450.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-500x375.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10-667x500.jpg 667w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi10.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><p id=\"caption-attachment-134717\" class=\"wp-caption-text\">Detail of the niches<\/p><\/div>\r\n\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-759x572.jpg\" alt=\"adfwebmagazine_aldo_rossi11\" width=\"759\" height=\"572\" class=\"aligncenter size-ADFwebimage999 wp-image-134718\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-759x572.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-150x113.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-300x226.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-768x579.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-1024x771.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-230x173.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-531x400.jpg 531w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-929x700.jpg 929w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-600x452.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-500x377.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11-664x500.jpg 664w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi11.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-500x715.jpg\" alt=\"v\" width=\"500\" height=\"715\" class=\"aligncenter size-ADFwebimage500 wp-image-134719\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-500x715.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-105x150.jpg 105w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-210x300.jpg 210w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-768x1098.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-716x1024.jpg 716w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-230x329.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-280x400.jpg 280w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-490x700.jpg 490w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-600x858.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-350x500.jpg 350w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12-759x1085.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi12.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-500x667.jpg\" alt=\"adfwebmagazine_aldo_rossi13\" width=\"500\" height=\"667\" class=\"aligncenter size-ADFwebimage500 wp-image-134720\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-500x667.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-113x150.jpg 113w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-225x300.jpg 225w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-768x1024.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-230x307.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-300x400.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-525x700.jpg 525w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-600x800.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-375x500.jpg 375w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13-759x1012.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi13.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\r\n<p>Johannes Itten, talking about composition, a\ufb03rmed that the square is a symbol of materiality and it corresponds to the color red, which is the color of matter. In the cube, the vision of death is communicated with the struggle that the event brings with it, in contrast with the typical Catholic vision according to which the soul transfers to a better place.<\/p>\r\n<p>From the cube begins the ideal ascent that Aldo Rossi had foreseen from the original project.<\/p>\r\n<h4><span id=\"The_central_spine_and_the_cone\"><span lang=\"EN-US\">The central spine and the cone<o:p><\/o:p><\/span><\/h4>\r\n<p>The original project included two additional structures: a triangular section herringbone structure and a 25- meters-high cone with a circular section. The initial intent was designing that spiritual ascent to the divine dimension. In other words, the harmony of the composition had to be given by the co-presence of all the primary geometric shapes and their symbolical meaning. Square, triangle, circle.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-759x114.jpg\" alt=\"adfwebmagazine_aldo_rossi2\" width=\"759\" height=\"114\" class=\"aligncenter size-ADFwebimage999 wp-image-134709\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-759x114.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-150x23.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-300x45.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-768x115.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-1024x154.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-230x35.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-600x90.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2-500x75.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi2.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\r\n<p>What we can see now, is a minimal percentage of the project, which has remained unfinished.<\/p>\r\n<p>In this metaphysical landscape, the tiny visitor is surrounded by gigantic forms that exalt the perception of reality precisely in its negation. It seems to be in a disturbing scenario that a child has built, but it's all real and formally calculated. A\u00a0picturesque landscape in which we find ourselves lost, a place without time except for the natural flow of it (the shadows created by the cyclic movement of the sun, became a pictorial element that enriches the composition).<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-500x938.jpg\" alt=\"adfwebmagazine_aldo_rossi14\" width=\"500\" height=\"938\" class=\"aligncenter size-ADFwebimage500 wp-image-134721\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-500x938.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-80x150.jpg 80w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-160x300.jpg 160w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-768x1441.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-546x1024.jpg 546w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-230x432.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-213x400.jpg 213w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-373x700.jpg 373w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-600x1126.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-266x500.jpg 266w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14-759x1424.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi14.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\r\n<p>Time becomes objective, non-human, cyclical, and inexorable. The disturbing sensation is the unique contrast between the living visitor and the still life immersed in total deafening silence. The structures look at each other and communicate from every angle, but speak a language that we cannot hear, the language of death.<\/p>\r\n<p>The result is all-encompassing: the visitor is struck by the strongest feeling a cemetery can give rise to, a palpable absence.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-500x667.jpg\" alt=\"adfwebmagazine_aldo_rossi15\" width=\"500\" height=\"667\" class=\"aligncenter size-ADFwebimage500 wp-image-134722\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-500x667.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-113x150.jpg 113w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-225x300.jpg 225w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-768x1024.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-230x307.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-300x400.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-525x700.jpg 525w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-600x800.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-375x500.jpg 375w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15-759x1012.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi15.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\r\n<div class=\"cb-divider clearfix\"><h3 class=\"noimg\"><span id=\"Info\"><span class=\"cb-title\">Info<\/span><\/span><\/h3><\/div>\r\n<table style=\"border-collapse: collapse; width: 100%;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 25.5274%;\">Name<\/td>\r\n<td style=\"width: 74.4726%;\">Aldo Rossi San Cataldo Cemetery<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25.5274%;\">Location<\/td>\r\n<td style=\"width: 74.4726%;\">Modena, Italy<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25.5274%;\">Entrance<\/td>\r\n<td style=\"width: 74.4726%;\">Free<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 25.5274%;\">About Aldo Rossi<\/td>\r\n<td style=\"width: 74.4726%;\">FondazioneAldoRossi<br>\r\n<a href=\"http:\/\/www.fondazionealdorossi.org\/\">www.fondazionealdorossi.org<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table><\/article>","protected":false},"excerpt":{"rendered":"<p>An architect who happens to be a poet Ada Louise Huxtable, architectural critic and Pritzker juror hen I was a [&hellip;]<\/p>\n","protected":false},"author":27,"featured_media":134708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"\u6642\u3092\u8d85\u8d8a\u3057\u305f\u5efa\u7bc9\uff1a\u30a2\u30eb\u30c9\u30fb\u30ed\u30c3\u30b7\u306b\u3088\u308b\u30b5\u30f3\u30fb\u30ab\u30bf\u30eb\u30c9\u5893\u5730\r\n\r\n\"TIMELESS ARCHITECTURE: SAN CATALDO CEMETERY BY ALDO ROSSI\"\r\n\r\nVirginia Alluzzi, product designer in Italy, contributed the article of the San Cataldo Cemetery architected by #AldoRossi . Please check it.","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[7],"tags":[38,49,80,92,110],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/adfwebmagazine_aldo_rossi1.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/134723"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=134723"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/134723\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/134708"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=134723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=134723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=134723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}