{"id":106511,"date":"2019-08-26T15:05:29","date_gmt":"2019-08-26T06:05:29","guid":{"rendered":"https:\/\/www.adfwebmagazine.jp\/?p=106511"},"modified":"2019-08-26T15:05:29","modified_gmt":"2021-01-05T14:06:39","slug":"metamorphoses-of-the-city-21st-century-museum-of-comtemporary-art-kanazawa","status":"publish","type":"post","link":"https:\/\/www.adfwebmagazine.jp\/en\/art\/metamorphoses-of-the-city-21st-century-museum-of-comtemporary-art-kanazawa\/","title":{"rendered":"Aperto 11  KUNO Ayako &#8220;Metamorphoses of the City&#8221;\uff5c21st Century Museum of Comtemporary Art, Kanazawa"},"content":{"rendered":"<article class=\"cb-itemprop\" itemprop=\"reviewBody\"><h3><i class=\"fa fa-cubes\"><\/i> About the \"Metamorphoses of the City\"<\/h3>\r\n<p><a href=\"https:\/\/www.kanazawa21.jp\/en\/\" title=\"21st Century Museum of Comtemporary Art, Kanazawa\">21st Century Museum of Comtemporary Art, Kanazawa<\/a> presents the exhibition of \"<a href=\"https:\/\/www.kanazawa21.jp\/data_list.php?g=81&amp;d=183\" title=\"Metamorphoses of the City\">Metamorphoses of the City<\/a>\" by <a href=\"https:\/\/www.ayakokuno.com\/\" title=\"KUNO Ayako\">KUNO Ayako<\/a>.\u00a0KUNO Ayako (b. 1983, Tokyo) employs lost-wax casting in her work. Lost-wax is a technique in which intricate forms made from wax are turned into casts, and Kuno uses it to produce pieces that combine the hard, solid texture of metal, with a dedication to detailed design. This exhibition presents works produced out of an earnest attitude to engage with metal and forge a dialogue with the method of metal casting: KUNO\u2019s display of high-density formative aesthetics applied to robust metal creating works on an urban theme, that conjure up visions of a writhing, proliferating metropolis, morphing as it is constructed.<\/p>\r\n<p><a href=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City.jpg\"><img src=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-759x638.jpg\" alt=\"Aperto11-KUNOAyako-Metamorphoses of the City\" width=\"759\" height=\"638\" class=\"wp-image-106512 size-ADFwebimage999 aligncenter\" srcset=\"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-759x638.jpg 759w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-150x126.jpg 150w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-300x252.jpg 300w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-768x645.jpg 768w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-1024x860.jpg 1024w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-230x193.jpg 230w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-476x400.jpg 476w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-833x700.jpg 833w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-600x504.jpg 600w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-500x420.jpg 500w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City-595x500.jpg 595w, https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City.jpg 1200w\" sizes=\"(max-width: 759px) 100vw, 759px\" \/><\/a><\/p>\r\n<h4>KUNO Ayako<\/h4>\r\n<p>Born 1983 in Tokyo, where she is currently based, KUNO received her BFA in metalworking in 2008 from the Department of Industrial, Interior and Craft Design at Musashino Art University, and her MFA in crafts (metal casting) in 2010 from Tokyo University of Arts.<\/p>\r\n<p>Recent exhibitions include SICF15 (Spiral Hall, Tokyo; 2014), \u201cerosion\u201d (3331 Gallery, Tokyo, 2015), the 9th Sano Renaissance Metalcasting Competition (Sano Culture Center, Tochigi, 2017), 3rd Triennale of KOGEI in Kanazawa (People\u2019s Gallery A, 21st Century Museum of Contemporary Art, Kanazawa, 2017) and Special Exhibition \u201cMetal Work\u201d (Kanazawa Yasue Gold Leaf Museum, Kanazawa, 2018). Selected for the Kanazawa International Kogei Competition (2017), other awards include the Sano Renaissance Metalcasting Competition Encouragement Prize (2017), Shibuya Awards Grand Prize (2016) and SICF15 Audience Prize (2014).<\/p>\r\n<div class=\"cb-divider clearfix\"><h3 class=\"noimg\"><span class=\"cb-title\">Event Info<\/span><\/h3><\/div>\r\n<table border=\"0\" style=\"border-collapse: collapse; width: 100%;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 19.8312%;\">Title:<\/td>\r\n<td style=\"width: 80.1688%;\">Metamorphoses of the City<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 19.8312%;\">Period :<\/td>\r\n<td style=\"width: 80.1688%;\">2019.7.6 (Sat.) - 2019.9.23 (Mon.)\u00a0<br>\r\n10:00 - 18:00 (until 20:00 on Fridays and Saturdays)<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 19.8312%;\">Venue :<\/td>\r\n<td style=\"width: 80.1688%;\">21st Century Museum of Contemporary Art, Kanazawa\u00a0<br>\r\nLong-Term Project Room<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 19.8312%;\">Closed\uff1a<\/td>\r\n<td style=\"width: 80.1688%;\">Mondays (Open on Jul 15, Aug 12, Sep 16, 23), and Jul 16 (Tue.), Sep 17 (Tue.)<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 19.8312%;\">Admission\uff1a<\/td>\r\n<td style=\"width: 80.1688%;\">Free<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table><\/article>","protected":false},"excerpt":{"rendered":"<p>About the &#8220;Metamorphoses of the City&#8221; 21st Century Museum of Comtemporary Art, Kanazawa presents the exhibitio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":106512,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"\u30a2\u30da\u30eb\u30c811 \u4e45\u91ce\u5f69\u5b50\u300c\u90fd\u5e02\u306e\u30e1\u30bf\u30e2\u30eb\u30d5\u30a9\u30fc\u30bc\u300d\uff5c \u91d1\u6ca221\u4e16\u7d00\u7f8e\u8853\u9928\r\n#\u91d1\u6ca221\u4e16\u7d00\u7f8e\u8853\u9928 \u306f\u300c\u30a2\u30da\u30eb\u30c8\u300d\u30b7\u30ea\u30fc\u30ba\u306e\u4e00\u74b0\u3068\u3057\u3066\u3001\u4e45\u91ce\u5f69\u5b50 @ayakokuno \u306e\u300c\u90fd\u5e02\u306e\u30e1\u30bf\u30eb\u30e2\u30eb\u30d5\u30a9\u30fc\u30bc\u300d\u30922019\u5e749\u670823\u65e5(\u6708)\u307e\u3067\u958b\u50ac\u4e2d\u3002\r\n#art #\u30a2\u30fc\u30c8\u5c55\u793a #\u5c55\u793a\u4f1a","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[6,10],"tags":[54,55,58,83,121],"jetpack_featured_media_url":"https:\/\/www.adfwebmagazine.jp\/wp-content\/uploads\/Aperto11-KUNOAyako-Metamorphoses-of-the-City.jpg","jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/106511"}],"collection":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/comments?post=106511"}],"version-history":[{"count":0,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/posts\/106511\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media\/106512"}],"wp:attachment":[{"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/media?parent=106511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/categories?post=106511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adfwebmagazine.jp\/en\/wp-json\/wp\/v2\/tags?post=106511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}