Orchid conservation combining Oaxaca crafts x Japanese philosophy x sustainable design
Located on the outskirts of Puerto Escondido, Mexico, between the sea and the mountains, the Orchid Pavilion is a wooden structure characterized by its sustainable, lightweight, and enduring design. The pavilion is dedicated to the conservation of orchids native to the Oaxaca region and serves as a space celebrating the biological and cultural diversity of the surrounding landscape.
CCA | Bernardo Quinzaños the pavilion’s concept emerged from research into optimal conditions for orchid growth—high humidity, partial shade, and good ventilation. This research defined the project’s technical features. However, deeper inspiration came from the philosophy of Wabi-Sabi and the traditions of the Oaxacan coast. Wabi-Sabi, a Japanese aesthetic philosophy, finds beauty in simplicity, imperfection, and uniqueness. This idea resonates with the vernacular materials and exceptional craftsmanship of the region, forming the foundation of the design approach. The Japanese concept of Ikigai also became a guiding principle for the project.
A Space of Ikigai and Harmony
Ikigai, translated as “a reason for being,” signifies the happiness derived from living with purpose. This philosophy, emphasizing joy in meaningful activities, aligns with the pavilion’s goal of creating a meditative and harmonious environment. It is a space where orchids thrive and visitors reconnect with nature and themselves. By experiencing the tranquility of the pavilion, guests are invited to rediscover their sense of purpose.
Three Core Design Elements
Functional Simplicity
Twelve concrete-based humidifiers, powered by gravity, regulate humidity to create an ideal environment for orchids. This system eliminates the need for manual irrigation.
Sustainable Materials
The structure uses locally sourced wood and concrete ceramic pieces fired at high temperatures, reflecting regional traditions while adhering to sustainable practices.
A Sanctuary for Reflection
Beyond its technical role, the pavilion fosters a profound sense of Ikigai. Visitors breathe in the humid air, listen to the sound of water droplets, and feel the crosswinds, creating a sensory experience that encourages introspection and harmony. The centerpiece of the design is the carefully controlled humid environment.
Pyramid-shaped, water-filled concrete basins release fine droplets that fall to the ground, where they are collected by permanently moist concrete trays. This process mimics the orchids’ natural habitat, eliminating manual watering needs. The breeze and warmth enable the plants to absorb moisture from the air and surfaces.
For guests at Casa Wabi, the Orchid Pavilion serves as a peaceful retreat after a long walk. The shared water—consumed by both people and orchids—symbolizes humanity’s connection to nature. The sound of dripping water echoes natural cycles, offering a contemplative journey that reconnects visitors with the essence of life.
About the Casa Wabi Foundation
Fundación Casa Wabi is a non-profit organization that fosters dialogue between contemporary art and local communities in Puerto Escondido, Mexico City, and Tokyo. Rooted in the philosophy of Wabi-Sabi, the foundation promotes social development through five core programs: residencies, exhibitions, pottery, film, and a mobile library. In recent years, the foundation has realized several notable projects, including the Ceramic Pavilion by Portuguese architect Álvaro Siza (Pritzker Prize, 1992), the Guayacán Pavilion by Mexican studio Ambrosi Etchegaray, the Henhouse by Japanese architect Kengo Kuma, the Compost Pavilion by Paraguayan architects Solano Benítez and Gloria Cabral, and more recently, high-temperature ovens and gardens by Mexican architect Alberto Kalach. These pavilions serve functional purposes while celebrating the intersection of art, architecture, and community.
About CCA | Bernardo Quinzaños
Centro de Colaboración Arquitectónica (CCA) was founded in 2008 by Bernardo Quinzaños (born in 1984 in Mexico City). Based in Mexico City, the studio operates as an independent space dedicated to research, conceptualization, and the development of architectural and urban projects with a focus on generating positive social and contextual impact. As CEO and Creative Director of CCA, Bernardo Quinzaños has worked on significant public, urban, and cultural projects, as well as individual and collective housing. His work is distinguished by geometric precision, innovation in structural systems, and sustainability grounded in a humanistic approach.